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	<title>Venice Biennale Archives - Art Business News</title>
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		<title>ART TREKS: Venice Biennale 2024</title>
		<link>https://artbusinessnews.com/2024/08/art-treks-venice-biennale-2024/</link>
					<comments>https://artbusinessnews.com/2024/08/art-treks-venice-biennale-2024/#respond</comments>
		
		<dc:creator><![CDATA[Laura Mullikin]]></dc:creator>
		<pubDate>Wed, 21 Aug 2024 21:28:34 +0000</pubDate>
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					<description><![CDATA[<p>The post <a href="https://artbusinessnews.com/2024/08/art-treks-venice-biennale-2024/">ART TREKS: Venice Biennale 2024</a> appeared first on <a href="https://artbusinessnews.com">Art Business News</a>.</p>
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			<div class="vc_single_image-wrapper   vc_box_border_grey"><img fetchpriority="high" decoding="async" width="752" height="752" src="https://artbusinessnews.com/wp-content/uploads/2024/08/Giardini-main-1.jpg" class="vc_single_image-img attachment-full" alt="" title="Giardini-main" srcset="https://artbusinessnews.com/wp-content/uploads/2024/08/Giardini-main-1.jpg 752w, https://artbusinessnews.com/wp-content/uploads/2024/08/Giardini-main-1-300x300.jpg 300w, https://artbusinessnews.com/wp-content/uploads/2024/08/Giardini-main-1-150x150.jpg 150w, https://artbusinessnews.com/wp-content/uploads/2024/08/Giardini-main-1-370x370.jpg 370w, https://artbusinessnews.com/wp-content/uploads/2024/08/Giardini-main-1-90x90.jpg 90w, https://artbusinessnews.com/wp-content/uploads/2024/08/Giardini-main-1-470x470.jpg 470w, https://artbusinessnews.com/wp-content/uploads/2024/08/Giardini-main-1-100x100.jpg 100w, https://artbusinessnews.com/wp-content/uploads/2024/08/Giardini-main-1-24x24.jpg 24w, https://artbusinessnews.com/wp-content/uploads/2024/08/Giardini-main-1-48x48.jpg 48w, https://artbusinessnews.com/wp-content/uploads/2024/08/Giardini-main-1-96x96.jpg 96w" sizes="(max-width: 752px) 100vw, 752px" /></div>
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			<p style="text-align: center;">Liz Collins | The Giardini</p>

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			<p style="text-align: center;">James Lee Byars and Seung Taek Lee &#8211; Invisible Questions that Fill the Air</p>

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			<div class="vc_single_image-wrapper   vc_box_border_grey"><img decoding="async" width="785" height="785" src="https://artbusinessnews.com/wp-content/uploads/2024/08/aresenale-main-1.jpg" class="vc_single_image-img attachment-full" alt="" title="aresenale-main" srcset="https://artbusinessnews.com/wp-content/uploads/2024/08/aresenale-main-1.jpg 785w, https://artbusinessnews.com/wp-content/uploads/2024/08/aresenale-main-1-300x300.jpg 300w, https://artbusinessnews.com/wp-content/uploads/2024/08/aresenale-main-1-150x150.jpg 150w, https://artbusinessnews.com/wp-content/uploads/2024/08/aresenale-main-1-768x768.jpg 768w, https://artbusinessnews.com/wp-content/uploads/2024/08/aresenale-main-1-370x370.jpg 370w, https://artbusinessnews.com/wp-content/uploads/2024/08/aresenale-main-1-90x90.jpg 90w, https://artbusinessnews.com/wp-content/uploads/2024/08/aresenale-main-1-760x760.jpg 760w, https://artbusinessnews.com/wp-content/uploads/2024/08/aresenale-main-1-470x470.jpg 470w, https://artbusinessnews.com/wp-content/uploads/2024/08/aresenale-main-1-100x100.jpg 100w, https://artbusinessnews.com/wp-content/uploads/2024/08/aresenale-main-1-24x24.jpg 24w, https://artbusinessnews.com/wp-content/uploads/2024/08/aresenale-main-1-48x48.jpg 48w, https://artbusinessnews.com/wp-content/uploads/2024/08/aresenale-main-1-96x96.jpg 96w" sizes="(max-width: 785px) 100vw, 785px" /></div>
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			<p style="text-align: center;"> The Arsenale</p>

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			<p style="text-align: center;">Mataaho Collective | The Arsenale</p>

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<p><strong>Art Treks goes to the Venice Biennale,</strong> one of the world&#8217;s premier art events! Take a dive with <i>Art Business News </i>into the world’s most prestigious art festival — we&#8217;ll explore stunning pavilions and cutting-edge exhibitions. For all you art enthusiasts planning your 2024 adventures, the Venice Biennale should definitely be on your list. It&#8217;s on until November 24th so there’s still plenty of time to prepare and ensure you experience everything this prestigious biennale has to offer!</p>
<p>&nbsp;</p>
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<div>Don’t miss your chance to be part of this global art phenomenon. If this is your first visit, read on for essential tips and advice on making the most of this iconic art event.</div>

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</div></div></div></div><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-12 sc_layouts_column_icons_position_left"><div class="vc_column-inner"><div class="wpb_wrapper"><div class="vc_empty_space  height_medium"   style="height: 32px"><span class="vc_empty_space_inner"></span></div></div></div></div></div><section data-vc-full-width="true" data-vc-full-width-temp="true" data-vc-full-width-init="false" class="vc_section vc_custom_1724274067263 vc_section-has-fill"><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-6 sc_layouts_column_icons_position_left"><div class="vc_column-inner"><div class="wpb_wrapper"><h4 style="color: #000000;text-align: center" class="vc_custom_heading vc_do_custom_heading vc_custom_1724271682475" >BIENNALE PRO TIPS</h4>
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<li>First things first: don’t get overwhelmed—there&#8217;s a lot to see!</li>
<li>Plan your visit to cover the highlights, but leave room for spontaneous discoveries; you&#8217;ll find delightful surprise exhibits and collateral events throughout the city.</li>
<li>To make the most of your time, purchase your tickets online and skip the lines.</li>
</ul>

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</div></div></div><div class="wpb_column vc_column_container vc_col-sm-6 sc_layouts_column_icons_position_left"><div class="vc_column-inner"><div class="wpb_wrapper"><h4 style="color: #000000;text-align: center" class="vc_custom_heading vc_do_custom_heading vc_custom_1724271675608" >IF YOU'RE VISITING FOR 2 DAYS</h4>
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			<p>Be sure to prioritize your time: Use your Biennale tickets to visit both main venues. On the first day, explore the Giardini exhibit, and on the second day, head to the Arsenale. This way, you’ll experience the best of both major sites.</p>

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</div></div></div></div></section><div class="vc_row-full-width vc_clearfix"></div><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-12 sc_layouts_column_icons_position_left"><div class="vc_column-inner"><div class="wpb_wrapper"><div class="vc_empty_space  height_large"   style="height: 40px"><span class="vc_empty_space_inner"></span></div></div></div></div></div><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-3 sc_layouts_column_icons_position_left"><div class="vc_column-inner"><div class="wpb_wrapper">
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			<h5><a href="https://www.labiennale.org/en/venues/giardini-della-biennale"><b>The Giardini &#8211; The 60th International Art Exhibition</b></a><b></b></h5>
<div>April 20 &#8211; November 24</div>
<div>Theme: <i>Foreigners Everywhere</i></div>

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			<p>It’s a pleasant stroll or a quick Vaporetto ride to reach this charming garden, which has been transformed into an immersive international art exhibit. Whether you choose to walk or ride, be sure to experience this unique and captivating space.</p>
<p>With 30 international pavilions plus the Central Pavilion to explore, be sure to allow plenty of time for your visit. Many exhibitions are experiential, inviting you to fully immerse yourself in the artists&#8217; creations. As you wander, keep the theme Foreigners Everywhere in mind, and observe the diverse interpretations and expressions of this concept throughout the exhibits.</p>

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</div></div></div></div><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-12 sc_layouts_column_icons_position_left"><div class="vc_column-inner"><div class="wpb_wrapper"><div class="vc_empty_space  height_tiny"   style="height: 32px"><span class="vc_empty_space_inner"></span></div></div></div></div></div><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-12 sc_layouts_column_icons_position_left"><div class="vc_column-inner"><div class="wpb_wrapper"><h4 style="color: #000000;text-align: center" class="vc_custom_heading vc_do_custom_heading vc_custom_1724271667129" >Some Favorite Pavilions</h4></div></div></div></div><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-3 sc_layouts_column_icons_position_left"><div class="vc_column-inner"><div class="wpb_wrapper">
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			<div class="vc_single_image-wrapper   vc_box_border_grey"><img loading="lazy" decoding="async" width="1000" height="785" src="https://artbusinessnews.com/wp-content/uploads/2024/08/US-Pavilion.jpg" class="vc_single_image-img attachment-full" alt="" title="US-Pavilion" srcset="https://artbusinessnews.com/wp-content/uploads/2024/08/US-Pavilion.jpg 1000w, https://artbusinessnews.com/wp-content/uploads/2024/08/US-Pavilion-300x236.jpg 300w, https://artbusinessnews.com/wp-content/uploads/2024/08/US-Pavilion-768x603.jpg 768w, https://artbusinessnews.com/wp-content/uploads/2024/08/US-Pavilion-370x290.jpg 370w, https://artbusinessnews.com/wp-content/uploads/2024/08/US-Pavilion-760x597.jpg 760w, https://artbusinessnews.com/wp-content/uploads/2024/08/US-Pavilion-470x369.jpg 470w" sizes="auto, (max-width: 1000px) 100vw, 1000px" /></div>
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			<h5>US Pavilion &#8211; Jeffrey Gibson: <em>The Space in Which to Place Me</em></h5>
<p>Curators: Kathleen Ash-Milby, Abigail Winograd<br />
Exhibitor: Jeffrey Gibson</p>

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			<div class="vc_single_image-wrapper   vc_box_border_grey"><img loading="lazy" decoding="async" width="1000" height="785" src="https://artbusinessnews.com/wp-content/uploads/2024/08/German-Pavilion.jpg" class="vc_single_image-img attachment-full" alt="" title="German-Pavilion" srcset="https://artbusinessnews.com/wp-content/uploads/2024/08/German-Pavilion.jpg 1000w, https://artbusinessnews.com/wp-content/uploads/2024/08/German-Pavilion-300x236.jpg 300w, https://artbusinessnews.com/wp-content/uploads/2024/08/German-Pavilion-768x603.jpg 768w, https://artbusinessnews.com/wp-content/uploads/2024/08/German-Pavilion-370x290.jpg 370w, https://artbusinessnews.com/wp-content/uploads/2024/08/German-Pavilion-760x597.jpg 760w, https://artbusinessnews.com/wp-content/uploads/2024/08/German-Pavilion-470x369.jpg 470w" sizes="auto, (max-width: 1000px) 100vw, 1000px" /></div>
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			<h5>German Pavilion &#8211; <em>Thresholds</em></h5>
<p>Curator: Çağla Ilk<br />
Exhibitors: Yael Bartana, Ersan Mondtag, Michael Akstaller, Nicole L&#8217;Huillier, Robert Lippok, Jan St. Werner</p>

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			<div class="vc_single_image-wrapper   vc_box_border_grey"><img loading="lazy" decoding="async" width="1000" height="785" src="https://artbusinessnews.com/wp-content/uploads/2024/08/Hungarian-Pavilion.jpg" class="vc_single_image-img attachment-full" alt="" title="Hungarian-Pavilion" srcset="https://artbusinessnews.com/wp-content/uploads/2024/08/Hungarian-Pavilion.jpg 1000w, https://artbusinessnews.com/wp-content/uploads/2024/08/Hungarian-Pavilion-300x236.jpg 300w, https://artbusinessnews.com/wp-content/uploads/2024/08/Hungarian-Pavilion-768x603.jpg 768w, https://artbusinessnews.com/wp-content/uploads/2024/08/Hungarian-Pavilion-370x290.jpg 370w, https://artbusinessnews.com/wp-content/uploads/2024/08/Hungarian-Pavilion-760x597.jpg 760w, https://artbusinessnews.com/wp-content/uploads/2024/08/Hungarian-Pavilion-470x369.jpg 470w" sizes="auto, (max-width: 1000px) 100vw, 1000px" /></div>
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			<h5>Hungary Pavilion &#8211; <em>Techno Zen</em></h5>
<p>Curator: Róna Kopeczky<br />
Exhibitor: Márton Nemes</p>

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			<div class="vc_single_image-wrapper   vc_box_border_grey"><img loading="lazy" decoding="async" width="1000" height="785" src="https://artbusinessnews.com/wp-content/uploads/2024/08/Polish-Pavilion.jpg" class="vc_single_image-img attachment-full" alt="" title="Polish-Pavilion" srcset="https://artbusinessnews.com/wp-content/uploads/2024/08/Polish-Pavilion.jpg 1000w, https://artbusinessnews.com/wp-content/uploads/2024/08/Polish-Pavilion-300x236.jpg 300w, https://artbusinessnews.com/wp-content/uploads/2024/08/Polish-Pavilion-768x603.jpg 768w, https://artbusinessnews.com/wp-content/uploads/2024/08/Polish-Pavilion-370x290.jpg 370w, https://artbusinessnews.com/wp-content/uploads/2024/08/Polish-Pavilion-760x597.jpg 760w, https://artbusinessnews.com/wp-content/uploads/2024/08/Polish-Pavilion-470x369.jpg 470w" sizes="auto, (max-width: 1000px) 100vw, 1000px" /></div>
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			<h5>Polish Pavilion &#8211; Repeat After Me II</h5>
<p>Curator: Marta Czyż<br />
Exhibitors: Open Group (Yuriy Biley, Pavlo Kovach, Anton Varga)<br />
Repeat after Me II is a collective portrait of witnesses of the war in Ukraine.</p>

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			<h5><a href="https://www.labiennale.org/en/venues/arsenale"><strong>The Arsenale</strong></a></h5>
<p>April 20 &#8211; November 24<br />
Theme: Foreigners Everywhere</p>

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			<p>This incredible venue is a labyrinth of art, featuring exhibitions from 24 different countries. Once again, the theme Foreigners Everywhere is explored through a myriad of unique interpretations and creative expressions.</p>

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</div></div></div></div><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-12 sc_layouts_column_icons_position_left"><div class="vc_column-inner"><div class="wpb_wrapper"><div class="vc_empty_space  height_tiny"   style="height: 32px"><span class="vc_empty_space_inner"></span></div></div></div></div></div><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-12 sc_layouts_column_icons_position_left"><div class="vc_column-inner"><div class="wpb_wrapper"><h4 style="color: #000000;text-align: center" class="vc_custom_heading vc_do_custom_heading vc_custom_1724271659559" >Must Sees</h4></div></div></div></div><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-6 sc_layouts_column_icons_position_left"><div class="vc_column-inner"><div class="wpb_wrapper">
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			<h5>South African Pavilion &#8211; <em>Quiet Ground</em></h5>
<p>Curator: Portia Malatjie<br />
Exhibitors: MADEYOULOOK (Molemo Moiloa &amp; Nare Mokgotho)</p>

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			<h5>Saudi Arabia Pavilion &#8211; <em>Shifting Sands: A Battle Song</em></h5>
<p>Curators: Jessica Cerasi, Maya El Khalil<br />
Exhibitor: Manal AlDowayan</p>

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			<h6 style="text-align: center;">Lucky you! More time in Venice is always wonderful. Make sure to explore these additional captivating shows:</h6>

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			<h5>Punta Della Dogana<br />
<a href="https://www.pinaultcollection.com/palazzograssi/en/pierre-huyghe-liminal">Pierre Huyghe &#8211; liminal</a></h5>
<p>Pierre Huyghe has since long questioned the relation between the human and the non-human, and conceives his works as speculative fictions from which emerge other modalities of world. Wander through this dynamic, sensitive milieu that is perpetually evolving. The exhibition is a transitory state inhabited by human and non-human creatures and becomes the site of formation of subjectivities that are constantly learning, changing, and hybridizing. You&#8217;ll be confronted by completely original video installations that will make you ponder long after you&#8217;ve left.</p>

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			<h5>Museo Fortuny<br />
<a href="https://fortuny.visitmuve.it/en/mostre-en/mostre-in-corso-en/exhibition-eva-jospin/2024/03/19494/exhibition-eva-jospin/">Eva Jospin &#8211; Selva</a></h5>
<p>This exhibit begins quietly and builds to a stunning conclusion. The humble materials and consummate craftsmanship are a wonder. The artworks engage deeply with both the historical and environmental context of their setting—the ancient Palazzo Pesaro. They also interact with the museum’s collections, particularly the diverse and rich artistic works of Mariano Fortuny, uncovering unexpected and sometimes surprising aesthetic and methodological connections.<br />
Truly a must-see.</p>

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			<div class="vc_single_image-wrapper   vc_box_border_grey"><img loading="lazy" decoding="async" width="1000" height="785" src="https://artbusinessnews.com/wp-content/uploads/2024/08/Francesco-Vezzoli-Museum-of-Tears.jpg" class="vc_single_image-img attachment-full" alt="" title="Francesco Vezzoli - Museum of Tears" srcset="https://artbusinessnews.com/wp-content/uploads/2024/08/Francesco-Vezzoli-Museum-of-Tears.jpg 1000w, https://artbusinessnews.com/wp-content/uploads/2024/08/Francesco-Vezzoli-Museum-of-Tears-300x236.jpg 300w, https://artbusinessnews.com/wp-content/uploads/2024/08/Francesco-Vezzoli-Museum-of-Tears-768x603.jpg 768w, https://artbusinessnews.com/wp-content/uploads/2024/08/Francesco-Vezzoli-Museum-of-Tears-370x290.jpg 370w, https://artbusinessnews.com/wp-content/uploads/2024/08/Francesco-Vezzoli-Museum-of-Tears-760x597.jpg 760w, https://artbusinessnews.com/wp-content/uploads/2024/08/Francesco-Vezzoli-Museum-of-Tears-470x369.jpg 470w" sizes="auto, (max-width: 1000px) 100vw, 1000px" /></div>
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			<h5>Museo Correr<br />
<a href="https://correr.visitmuve.it/it/mostre/mostre-in-corso/francesco-vezzoli-musei-delle-lacrime/2024/02/23002/mostra-3/">Francesco Vezzoli &#8211; Museum of Tears</a></h5>
<p>Vezzoli juxtaposes his works—both historical and contemporary, including new pieces created specifically for this exhibition—with the masterpieces of the Museo Correr collection. His goal is to foster a dialogue and create a new narrative where art history is reimagined as a living, dynamic entity. By blending themes and iconographies, especially religious ones, from different eras, he explores concepts such as identity, authorship, emotion, and the relationship with the past without denying or erasing it. While the exhibit is quite site specific, the contrast between Vezzoli’s modern conceptual works and traditional Venetian art offers intriguing visual comparisons and prompts thoughtful questions.</p>

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			<h5>Gallerie dell&#8217;Accademia<br />
<a href="https://www.gallerieaccademia.it/en/willem-de-kooning-e-litalia-en">Willem De Kooning L&#8217;Italia</a></h5>
<p>Willem de Kooning, one of the most revolutionary and influential artists of the 20th century, is the focus of a highly anticipated major exhibition. This show explores the profound impact Italy had on De Kooning’s work, highlighting how Italian art and culture shaped his innovative approach.</p>

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			<h5>Palazzo Loredan<br />
<a href="https://www.michaelwerner.com/viewing-room/invisible-questions-that-fill-the-air-james-lee-byars-and-seung-taek-lee3#tab:thumbnails">James Lee Byars and Seung Taek Lee &#8211; Invisible Questions that Fill the Air</a></h5>
<p>The exhibition spans over six decades of work, solidifying both Byars&#8217; and Lee&#8217;s roles as pivotal figures in 20th and 21st-century avant-garde art. The display features stunning compositions that highlight the interplay between the art and the architecture, with intriguing juxtapositions arising from the coexistence of both artists&#8217; works in the same space.</p>

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			<h5>Palazzo Franchetti<br />
<a href="https://www.dohafilminstitute.com/pages/venice-exhibition">Your Ghosts Are Mine</a></h5>
<p>The palazzo is filled with stunning and haunting videos in this original exhibition produced by Qatar Museums. The moving images delve into contemporary themes of community life, memory, transnational crossings, and exile. These films stand apart from mainstream media and cultural industry norms, carving their own unique paths. They are deeply aware of their role as historical artifacts, particularly when they emerge from countries ravaged by conflict or lacking in preserved memorabilia.</p>

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</div></div></div></div><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-12 sc_layouts_column_icons_position_left"><div class="vc_column-inner"><div class="wpb_wrapper"><div class="vc_empty_space  height_large"   style="height: 32px"><span class="vc_empty_space_inner"></span></div></div></div></div></div><section data-vc-full-width="true" data-vc-full-width-temp="true" data-vc-full-width-init="false" class="vc_section vc_custom_1724274627903 vc_section-has-fill"><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-6 sc_layouts_column_icons_position_left"><div class="vc_column-inner"><div class="wpb_wrapper"><h4 style="color: #000000;text-align: center" class="vc_custom_heading vc_do_custom_heading vc_custom_1724271628299" >About Venice Biennale</h4>
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			<h5>The 60th International Art Exhibition, titled Stranieri Ovunque – Foreigners Everywhere, is open to the public from Saturday April 20 to Sunday November 24, 2024, at the Giardini and the Arsenale.</h5>

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			<p>Since 2021, La Biennale di Venezia launched a plan to reconsider all of its activities in light of recognized and consolidated principles of <strong>environmental sustainability. </strong>For the year 2024, the goal is to extend the achievement of “carbon neutrality” certification, which was obtained in 2023 for La Biennale’s scheduled activities: the 80th Venice International Film Festival, the Theatre, Music and Dance Festivals and, in particular, the 18th International Architecture Exhibition which was the first major Exhibition in this discipline to test in the field a tangible process for achieving carbon neutrality – while furthermore itself reflecting upon the themes of decolonisation and decarbonisation.</p>

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</div><p>The post <a href="https://artbusinessnews.com/2024/08/art-treks-venice-biennale-2024/">ART TREKS: Venice Biennale 2024</a> appeared first on <a href="https://artbusinessnews.com">Art Business News</a>.</p>
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		<title>Highlights, and the High Life of the 2017 Venice Biennale</title>
		<link>https://artbusinessnews.com/2017/06/highlights-and-the-high-life-of-the-2017-venice-biennale/</link>
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		<dc:creator><![CDATA[Laura Mullikin]]></dc:creator>
		<pubDate>Thu, 01 Jun 2017 19:49:50 +0000</pubDate>
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					<description><![CDATA[<p>The 57th Venice Biennale is underway! We were lucky enough to be there for the opening weekend, and thoroughly enjoyed spending time strolling through the city and checking out the shows. If you&#8217;ve been to Venice before, you will already have an idea of what you want to see, and if you haven&#8217;t yet been, it will be all new—lucky&#8230;</p>
<p>The post <a href="https://artbusinessnews.com/2017/06/highlights-and-the-high-life-of-the-2017-venice-biennale/">Highlights, and the High Life of the 2017 Venice Biennale</a> appeared first on <a href="https://artbusinessnews.com">Art Business News</a>.</p>
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										<content:encoded><![CDATA[<p>The 57th Venice Biennale is underway! We were lucky enough to be there for the opening weekend, and thoroughly enjoyed spending time strolling through the city and checking out the shows. If you&#8217;ve been to Venice before, you will already have an idea of what you want to see, and if you haven&#8217;t yet been, it will be all new—lucky you! If you&#8217;re headed there before November 26, 2017, you&#8217;ll be able to see some of the coolest art exhibits of the year, displayed in their perfect natural habitat. The Venice Biennale has long been considered the world leader in contemporary, cutting-edge art exhibitions, and this year&#8217;s show doesn&#8217;t disappoint. Remember to plan your trip carefully—it&#8217;s not possible to see all that Venice has to offer in one trip. Here&#8217;s our guide to shows and museums you should check out while you&#8217;re there!</p>
<hr />
<h3>Treasures from the Wreck of the Unbelievable, Damien Hirst</h3>
<p><i>Palazzo Grassi &amp; Punta della Dogana</i></p>
<figure id="attachment_10456" aria-describedby="caption-attachment-10456" style="width: 1000px" class="wp-caption aligncenter"><img loading="lazy" decoding="async" class="wp-image-10456 size-full" src="https://artbusinessnews.com/wpdev/wp-content/uploads/2017/05/Hirst-1.jpg" alt="" width="1000" height="400" srcset="https://artbusinessnews.com/wp-content/uploads/2017/05/Hirst-1.jpg 1000w, https://artbusinessnews.com/wp-content/uploads/2017/05/Hirst-1-300x120.jpg 300w, https://artbusinessnews.com/wp-content/uploads/2017/05/Hirst-1-768x307.jpg 768w, https://artbusinessnews.com/wp-content/uploads/2017/05/Hirst-1-740x296.jpg 740w" sizes="auto, (max-width: 1000px) 100vw, 1000px" /><figcaption id="caption-attachment-10456" class="wp-caption-text">Damien Hirst</figcaption></figure>
<p><i>See. This. Exhibition.</i> I hate to give anything away, but &#8220;Treasures&#8221; will be talked about for a long time to come. The sheer monumentality of the work, the artist&#8217;s scope of vision, and the knowing hubris it took to create this collection is truly astounding. Hirst demonstrates a mastery of many mediums, and plays on how a viewer values a work based on its provenance. The subtitle of the exhibition is &#8220;Somewhere between lies and truth lies the truth,&#8221; a concept you&#8217;ll be contemplating long after you wander to another exhibit. Whether you love or hate Hirst and the artwork he creates, you must concede that his exhibit is as impressive as it is polemic.</p>
<hr />
<h3>Glass and Bone Sculptures 1977<b>–2017, </b><b>Jan Fabre</b></h3>
<p><i>Abbazia di San Gregorio</i></p>
<figure id="attachment_10463" aria-describedby="caption-attachment-10463" style="width: 1000px" class="wp-caption aligncenter"><img loading="lazy" decoding="async" class="wp-image-10463 size-full" src="https://artbusinessnews.com/wpdev/wp-content/uploads/2017/05/fabre-banner.jpg" alt="" width="1000" height="400" srcset="https://artbusinessnews.com/wp-content/uploads/2017/05/fabre-banner.jpg 1000w, https://artbusinessnews.com/wp-content/uploads/2017/05/fabre-banner-300x120.jpg 300w, https://artbusinessnews.com/wp-content/uploads/2017/05/fabre-banner-768x307.jpg 768w, https://artbusinessnews.com/wp-content/uploads/2017/05/fabre-banner-740x296.jpg 740w" sizes="auto, (max-width: 1000px) 100vw, 1000px" /><figcaption id="caption-attachment-10463" class="wp-caption-text">Jan Fabre</figcaption></figure>
<p>This hauntingly beautiful retrospective comprising 40 years&#8217; worth of Fabre&#8217;s work is a must-see. His use of material (glass and bone of course) gives a nod to the mastery of Venetian glassblowers while also acknowledging the frailty of humanity. Each work invites closer inspection, sparking awe at the material or the technique used. But make sure to step back, too—whether viewed close-up or from afar, this show is breathtaking.</p>
<hr />
<h3>Glasstress, Various Artists</h3>
<p><i>Palazzo Franchetti</i></p>
<p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-10457" src="https://artbusinessnews.com/wpdev/wp-content/uploads/2017/05/glasstress.jpg" alt="" width="1000" height="400" srcset="https://artbusinessnews.com/wp-content/uploads/2017/05/glasstress.jpg 1000w, https://artbusinessnews.com/wp-content/uploads/2017/05/glasstress-300x120.jpg 300w, https://artbusinessnews.com/wp-content/uploads/2017/05/glasstress-768x307.jpg 768w, https://artbusinessnews.com/wp-content/uploads/2017/05/glasstress-740x296.jpg 740w" sizes="auto, (max-width: 1000px) 100vw, 1000px" /></p>
<p>This exhibit succeeds in its aim to make the viewer rethink glass as art &#8230; and in a city where there should be no doubt! The impressive locale blends gorgeously with the many thought-provoking and varied works from more than 30 artists. This collaborative show is expertly curated to display glass and glassmakers at their very finest. Explore each room in the palazzo with relish and wonder.</p>
<hr />
<p>To get an overview of the historical art and architecture Venice has to offer, first-time visitors should make sure to check out <b>Piazza San Marco</b>, the <b>Palazzo Ducale</b>,<b> </b>the <b>Museo Correr</b>, and <b>Ca&#8217; Pesaro</b>. Also, no matter how often you&#8217;re in Venice, the <b>Peggy Guggenheim Collection</b> should always be on the itinerary. On display until September 10, 2017, Mark Tobey&#8217;s &#8220;Threading Light&#8221; special exhibition is as much of a gem as the Guggenheim&#8217;s permanent collection. Also worth checking out is Shirin Neshat&#8217;s &#8220;The Home of My Eyes,&#8221; a photography exhibit at the Museo Correr, on display until November 26, 2017.</p>
<figure id="attachment_10458" aria-describedby="caption-attachment-10458" style="width: 1000px" class="wp-caption aligncenter"><img loading="lazy" decoding="async" class="wp-image-10458 size-full" src="https://artbusinessnews.com/wpdev/wp-content/uploads/2017/05/venice-banner3.jpg" alt="" width="1000" height="400" srcset="https://artbusinessnews.com/wp-content/uploads/2017/05/venice-banner3.jpg 1000w, https://artbusinessnews.com/wp-content/uploads/2017/05/venice-banner3-300x120.jpg 300w, https://artbusinessnews.com/wp-content/uploads/2017/05/venice-banner3-768x307.jpg 768w, https://artbusinessnews.com/wp-content/uploads/2017/05/venice-banner3-740x296.jpg 740w" sizes="auto, (max-width: 1000px) 100vw, 1000px" /><figcaption id="caption-attachment-10458" class="wp-caption-text">The Golden Tower, James Lee Byars and Extraterrestrial Odyssey, Lina Condes</figcaption></figure>
<p>Another fun part of wandering around Venice right now is finding all of the monumental public works that are free to see. Here are a few to look out for:<br />
<b>Extraterrestrial Odyssey, Lina Condes </b><br />
<i>Palazzo Pisani </i><br />
<b>Support Venice, Lorenzo Quinn</b><b><br />
</b><i>Ca’ Sagredo Hotel</i><br />
<b>The Golden Tower,</b> <b>James Lee Byars<br />
</b><i>Campo San Vio</i></p>
<p>Perhaps the most surprising thing about all of these works and exhibits in Venice is how well they blend with or enhance the sheer beauty of Venice. If each of the works were put in a different environment, you&#8217;d see and experience them quite differently. The city is its own masterpiece, and probably the most important one of all.</p>
<figure id="attachment_10454" aria-describedby="caption-attachment-10454" style="width: 1024px" class="wp-caption aligncenter"><img loading="lazy" decoding="async" class="wp-image-10454 size-large" src="https://artbusinessnews.com/wpdev/wp-content/uploads/2017/05/Venice-Biennale046-1024x576.jpg" alt="" width="1024" height="576" srcset="https://artbusinessnews.com/wp-content/uploads/2017/05/Venice-Biennale046-1024x576.jpg 1024w, https://artbusinessnews.com/wp-content/uploads/2017/05/Venice-Biennale046-300x169.jpg 300w, https://artbusinessnews.com/wp-content/uploads/2017/05/Venice-Biennale046-768x432.jpg 768w, https://artbusinessnews.com/wp-content/uploads/2017/05/Venice-Biennale046-1170x658.jpg 1170w, https://artbusinessnews.com/wp-content/uploads/2017/05/Venice-Biennale046-740x416.jpg 740w, https://artbusinessnews.com/wp-content/uploads/2017/05/Venice-Biennale046.jpg 2048w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><figcaption id="caption-attachment-10454" class="wp-caption-text">Support Venice, Lorenzo Quinn</figcaption></figure>
<p>What were your favorites? Let us know in the comments!</p>
<p><strong>Learn more about these exhibits here:</strong><br />
<a href="http://www.labiennale.org/en/art/">http://www.labiennale.org/en/art/</a><br />
<a href="http://www.palazzograssi.it/">http://www.palazzograssi.it/</a><br />
<a href="http://events.veneziaunica.it/content/jan-fabre-%E2%80%93-glass-and-bone-sculptures-1977-2017">http://events.veneziaunica.it/content/jan-fabre-%E2%80%93-glass-and-bone-sculptures-1977-2017</a><br />
<a href="http://glasstress.org/">t</a><br />
<a href="http://www.guggenheim-venice.it/">http://www.guggenheim-venice.it/</a></p>
<p><em>All photos credit: Anna Baumann</em></p>
<p>The post <a href="https://artbusinessnews.com/2017/06/highlights-and-the-high-life-of-the-2017-venice-biennale/">Highlights, and the High Life of the 2017 Venice Biennale</a> appeared first on <a href="https://artbusinessnews.com">Art Business News</a>.</p>
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		<title>Venice Biennale showcases art from 88 countries</title>
		<link>https://artbusinessnews.com/2013/06/venice-biennale-showcases-art-from-88-countries/</link>
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		<dc:creator><![CDATA[robhibbs]]></dc:creator>
		<pubDate>Wed, 05 Jun 2013 14:38:47 +0000</pubDate>
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					<description><![CDATA[<p>The Venice Biennale, the world’s most prestigious contemporary art fair, launched its 55th exhibition on June 1. This year’s fair represents work from 88 different countries and features renowned artists like Ai Weiwei, Ahmet Güneştekin and Jeremy Deller, as well as up-and-coming faces Marya Kazoun, Zanele Muholi and Tavares Strachan. At the June 1 awards ceremony, British-German artist Tino Sehgal&#8230;</p>
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										<content:encoded><![CDATA[<figure id="attachment_7408" aria-describedby="caption-attachment-7408" style="width: 636px" class="wp-caption aligncenter"><a href="https://artbusinessnews.com/wpdev/wp-content/uploads/2013/06/Venice_Biennale_2.jpg"><img loading="lazy" decoding="async" class="wp-image-7408   " title="Venice_Biennale_2" src="https://artbusinessnews.com/wpdev/wp-content/uploads/2013/06/Venice_Biennale_2-1024x682.jpg" alt="" width="636" height="424" srcset="https://artbusinessnews.com/wp-content/uploads/2013/06/Venice_Biennale_2-1024x682.jpg 1024w, https://artbusinessnews.com/wp-content/uploads/2013/06/Venice_Biennale_2-300x199.jpg 300w, https://artbusinessnews.com/wp-content/uploads/2013/06/Venice_Biennale_2-768x512.jpg 768w, https://artbusinessnews.com/wp-content/uploads/2013/06/Venice_Biennale_2-370x247.jpg 370w, https://artbusinessnews.com/wp-content/uploads/2013/06/Venice_Biennale_2-760x506.jpg 760w, https://artbusinessnews.com/wp-content/uploads/2013/06/Venice_Biennale_2-470x313.jpg 470w, https://artbusinessnews.com/wp-content/uploads/2013/06/Venice_Biennale_2.jpg 1280w" sizes="auto, (max-width: 636px) 100vw, 636px" /></a><figcaption id="caption-attachment-7408" class="wp-caption-text">Campo de Color by Bolivian artist Sonia Falcone. Stefano Rellandini/Reuters.</figcaption></figure>
<p>The <a href="http://www.labiennale.org/en/Home.html" target="_blank" rel="noopener noreferrer">Venice Biennale</a>, the world’s most prestigious contemporary art fair, launched its 55th exhibition on June 1. This year’s fair represents work from 88 different countries and features renowned artists like Ai Weiwei, Ahmet Güneştekin and Jeremy Deller, as well as up-and-coming faces Marya Kazoun, Zanele Muholi and Tavares Strachan.</p>
<figure id="attachment_7411" aria-describedby="caption-attachment-7411" style="width: 300px" class="wp-caption alignright"><a href="https://artbusinessnews.com/wpdev/wp-content/uploads/2013/06/Venice_Biennale_1.jpg"><img loading="lazy" decoding="async" class="size-medium wp-image-7411 " title="Venice_Biennale_1" src="https://artbusinessnews.com/wpdev/wp-content/uploads/2013/06/Venice_Biennale_1-300x225.jpg" alt="" width="300" height="225" srcset="https://artbusinessnews.com/wp-content/uploads/2013/06/Venice_Biennale_1-300x225.jpg 300w, https://artbusinessnews.com/wp-content/uploads/2013/06/Venice_Biennale_1.jpg 550w" sizes="auto, (max-width: 300px) 100vw, 300px" /></a><figcaption id="caption-attachment-7411" class="wp-caption-text">From left, Artist Edson Chagas, co-curators Stefano Rabolli Pansera and Paula Nascimento. AP Photo/Luigi Costantini</figcaption></figure>
<p>At the June 1 awards ceremony, British-German artist Tino Sehgal received the fair’s top honor, the Golden Lion, for his performance piece. The country of <a href="http://mg.co.za/article/2013-06-04-angola-marks-venice-biennale-debut-with-a-victory" target="_blank" rel="noopener noreferrer">Angola</a>, which made its debut at the Venice Biennale this year, also received a Golden Lion for best national pavilion. French artist <a href="http://www.camillehenrot.fr/en/work" target="_blank" rel="noopener noreferrer">Camille Henrot</a> earned a Silver Lion award for best promising young artist for her work in video.</p>
<p>The fair is open through Nov. 24 at the Giardini, the Arsenale and in various venues throughout Venice.</p>
<p>View a <a href="http://www.huffingtonpost.com/2013/06/03/venice-biennale-pavilions-55th-art-fair-golden-lion-rpize_n_3378624.html?utm_hp_ref=arts#slide=2524442" target="_blank" rel="noopener noreferrer">slideshow</a> of Venice Biennale and featured art on the Huffington Post website.</p>
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