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	<title>Georgia O&#039;Keefe Archives - Art Business News</title>
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	<title>Georgia O&#039;Keefe Archives - Art Business News</title>
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		<title>Review: Santa Fe Art Week 2025</title>
		<link>https://artbusinessnews.com/2025/07/review-santa-fe-art-week-2025/</link>
					<comments>https://artbusinessnews.com/2025/07/review-santa-fe-art-week-2025/#respond</comments>
		
		<dc:creator><![CDATA[Laura Mullikin]]></dc:creator>
		<pubDate>Tue, 22 Jul 2025 20:18:22 +0000</pubDate>
				<category><![CDATA[Art Fairs]]></category>
		<category><![CDATA[Art Santa Fe]]></category>
		<category><![CDATA[Art Treks]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[Museums]]></category>
		<category><![CDATA[Georgia O'Keefe]]></category>
		<category><![CDATA[Museum of New Mexico Foundation]]></category>
		<category><![CDATA[santa fe]]></category>
		<category><![CDATA[SITE Santa Fe]]></category>
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					<description><![CDATA[<p>The post <a href="https://artbusinessnews.com/2025/07/review-santa-fe-art-week-2025/">Review: Santa Fe Art Week 2025</a> appeared first on <a href="https://artbusinessnews.com">Art Business News</a>.</p>
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			<h3>Art Santa Fe</h3>
<p><strong><a title="Link: https://redwoodartgroup.com/art-santa-fe" href="https://redwoodartgroup.com/art-santa-fe">https://redwoodartgroup.com/art-santa-fe</a></strong><br />
<strong>July 11 – 13, 2025</strong></p>
<div>Celebrating its 25th anniversary, Art Santa Fe welcomed over 80 exhibitors, including galleries, independent artists, and dealers presenting contemporary and decorative works across painting, sculpture, photography, jewelry, glass, and more!</div>
<div></div>
<div>Art Santa Fe 2025 delivered a thoughtful, celebratory fair with broad appeal for collectors, designers, and art-lovers seeking approachable works and design-minded pieces. Attendees kept commenting it was the best looking Art Santa Fe yet! Here&#8217;s to 25 more years.</div>

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			<h3>IFAM</h3>
<p><strong><a href="https://folkartmarket.org/">https://folkartmarket.org/</a></strong><br />
<strong>July 10-13, 2025</strong></p>
<p>IFAM 2025 featured  approximately 150 master folk artists and cooperatives from 57 countries. Artists achieved $3.88 million in sales, setting an organizational record and underscoring the market’s global economic impact. The market feels like a fun art party and has something for everyone.<br />
IFAM 2025 was a powerful celebration of global folk art—blending cultural exchange, economic empowerment, and creative education in a festive, inclusive atmosphere. With immersive programming and significant sales success, it underscored the potential of folk art markets to transcend commerce and foster connection.</p>

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			<div class="vc_single_image-wrapper   vc_box_border_grey"><img loading="lazy" decoding="async" width="1000" height="776" src="https://artbusinessnews.com/wp-content/uploads/2025/07/aw-sf25-site662.jpg" class="vc_single_image-img attachment-full" alt="" title="aw-sf25-site662" srcset="https://artbusinessnews.com/wp-content/uploads/2025/07/aw-sf25-site662.jpg 1000w, https://artbusinessnews.com/wp-content/uploads/2025/07/aw-sf25-site662-300x233.jpg 300w, https://artbusinessnews.com/wp-content/uploads/2025/07/aw-sf25-site662-768x596.jpg 768w, https://artbusinessnews.com/wp-content/uploads/2025/07/aw-sf25-site662-370x287.jpg 370w, https://artbusinessnews.com/wp-content/uploads/2025/07/aw-sf25-site662-760x590.jpg 760w, https://artbusinessnews.com/wp-content/uploads/2025/07/aw-sf25-site662-470x365.jpg 470w" sizes="auto, (max-width: 1000px) 100vw, 1000px" /></div><figcaption class="vc_figure-caption">SITE Santa Fe</figcaption>
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			<h3>SITE Santa Fe</h3>
<p><strong><a href="https://www.sitesantafe.org/en/">https://www.sitesantafe.org/en/</a></strong><br />
<strong><a href="https://www.sitesantafe.org/en/once-within-a-time/">https://www.sitesantafe.org/en/once-within-a-time/</a></strong><br />
<strong><i>Once Within a Time</i></strong><br />
<strong>June 27, 2025 – January 12, 2026</strong><br />
<strong> </strong><br />
<em>Once Within a Time</em> is a meandering narrative collage that reimagines Santa Fe as both artifact and stage—a living archive of stories, mythologies, and artistic interventions. Whether discovered within the SITE building or in unexpected local storefronts, each stop offers a glimpse into how personal histories loop into collective memory.<br />
The exhibition foregrounds storytelling—both oral and visual—by pairing contemporary artworks with historical or fictional characters connected to Santa Fe and Northern New Mexico. Many commissions are site-specific, activating the distinctiveness of each venue with immersive installations and narrative encounters</p>

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			<h3>Museum of New Mexico Foundation</h3>
<p><b>Vladem</b><br />
<strong><a title="Link: https://www.museumfoundation.org/" href="https://www.museumfoundation.org/">https://www.museumfoundation.org/</a><br />
</strong><br />
<i><b>Timeless Mucha: The Magic of Line</b></i><br />
June 20, 2025 &#8211; September 21, 2025<br />
<em>Timeless Mucha: The Magic of Line</em> is a beautifully curated, historically rich retrospective celebrating Mucha not only as an emblem of Art Nouveau, but also as a pioneer in mass‑visual communication. The exhibition’s layout bridges early works and global legacy, making it both informative and immersive. If you can&#8217;t make it to Santa Fe, its next stop will be  Nelson‑Atkins Museum, Kansas City (April–August 2026).</p>
<p>Organized by the Mucha Foundation<strong>,</strong> this ambitious show features over 100 works from the Mucha Trust Collection, highlighting Alphonse Mucha’s development—from student drawings and book illustrations to his iconic posters and designs that created the Art Nouveau movement.</p>
<p>And in a fun twist it also explores the 1960s–70s revival of his aesthetic, showing its influence on psychedelic rock posters (e.g., Grateful Dead, Rolling Stones), comic books, and Japanese manga.</p>

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			<div class="vc_single_image-wrapper   vc_box_border_grey"><img loading="lazy" decoding="async" width="1000" height="750" src="https://artbusinessnews.com/wp-content/uploads/2025/07/aw-sf25-mnmf658.jpg" class="vc_single_image-img attachment-full" alt="" title="aw-sf25-mnmf658" srcset="https://artbusinessnews.com/wp-content/uploads/2025/07/aw-sf25-mnmf658.jpg 1000w, https://artbusinessnews.com/wp-content/uploads/2025/07/aw-sf25-mnmf658-300x225.jpg 300w, https://artbusinessnews.com/wp-content/uploads/2025/07/aw-sf25-mnmf658-768x576.jpg 768w, https://artbusinessnews.com/wp-content/uploads/2025/07/aw-sf25-mnmf658-370x278.jpg 370w, https://artbusinessnews.com/wp-content/uploads/2025/07/aw-sf25-mnmf658-320x240.jpg 320w, https://artbusinessnews.com/wp-content/uploads/2025/07/aw-sf25-mnmf658-760x570.jpg 760w, https://artbusinessnews.com/wp-content/uploads/2025/07/aw-sf25-mnmf658-470x353.jpg 470w" sizes="auto, (max-width: 1000px) 100vw, 1000px" /></div><figcaption class="vc_figure-caption">Eugenie Shonnard: Breaking the Mold</figcaption>
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			<h3>Museum of New Mexico Foundation</h3>
<p><strong><a href="https://www.museumfoundation.org/">https://www.museumfoundation.org/</a></strong><br />
<i></i><i><b>Eugenie Shonnard: Breaking the Mold</b></i></p>
<p><strong>March 8 – September 1, 2025</strong><br />
<i>&#8220;Eugenie Shonnard: Breaking the Mold&#8221;</i> marks the inaugural posthumous exhibition of Eugenie Shonnard (1886–1978), a pioneering woman sculptor whose career carved a place for itself in American Modernism—especially within the artistic landscape of the Southwest</p>
<p><em>Breaking the Mold</em> is a compelling and deeply research-driven exhibition that reclaims Eugenie Shonnard’s place in American art history—especially within the Southwest. It reveals her convergence of European Modernist training with local iconography and forms, and showcases her inventive spirit through material innovation and formal sensitivity.</p>

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			<div class="vc_single_image-wrapper   vc_box_border_grey"><img loading="lazy" decoding="async" width="1000" height="756" src="https://artbusinessnews.com/wp-content/uploads/2025/07/aw-sf25-okeefe657.jpg" class="vc_single_image-img attachment-full" alt="" title="aw-sf25-okeefe657" srcset="https://artbusinessnews.com/wp-content/uploads/2025/07/aw-sf25-okeefe657.jpg 1000w, https://artbusinessnews.com/wp-content/uploads/2025/07/aw-sf25-okeefe657-300x227.jpg 300w, https://artbusinessnews.com/wp-content/uploads/2025/07/aw-sf25-okeefe657-768x581.jpg 768w, https://artbusinessnews.com/wp-content/uploads/2025/07/aw-sf25-okeefe657-370x280.jpg 370w, https://artbusinessnews.com/wp-content/uploads/2025/07/aw-sf25-okeefe657-760x575.jpg 760w, https://artbusinessnews.com/wp-content/uploads/2025/07/aw-sf25-okeefe657-470x355.jpg 470w" sizes="auto, (max-width: 1000px) 100vw, 1000px" /></div><figcaption class="vc_figure-caption">A Circle Nothing Can Break</figcaption>
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			<div class="vc_single_image-wrapper   vc_box_border_grey"><img loading="lazy" decoding="async" width="1000" height="750" src="https://artbusinessnews.com/wp-content/uploads/2025/07/aw-sf25-okeefe656.jpg" class="vc_single_image-img attachment-full" alt="" title="aw-sf25-okeefe656" srcset="https://artbusinessnews.com/wp-content/uploads/2025/07/aw-sf25-okeefe656.jpg 1000w, https://artbusinessnews.com/wp-content/uploads/2025/07/aw-sf25-okeefe656-300x225.jpg 300w, https://artbusinessnews.com/wp-content/uploads/2025/07/aw-sf25-okeefe656-768x576.jpg 768w, https://artbusinessnews.com/wp-content/uploads/2025/07/aw-sf25-okeefe656-370x278.jpg 370w, https://artbusinessnews.com/wp-content/uploads/2025/07/aw-sf25-okeefe656-320x240.jpg 320w, https://artbusinessnews.com/wp-content/uploads/2025/07/aw-sf25-okeefe656-760x570.jpg 760w, https://artbusinessnews.com/wp-content/uploads/2025/07/aw-sf25-okeefe656-470x353.jpg 470w" sizes="auto, (max-width: 1000px) 100vw, 1000px" /></div><figcaption class="vc_figure-caption">A Circle Nothing Can Break</figcaption>
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			<h3>Georgia O&#8217;Keefe Museum</h3>
<p><strong><a title="Link: https://www.okeeffemuseum.org/" href="https://www.okeeffemuseum.org/">https://www.okeeffemuseum.org/</a></strong><br />
<strong><i>A Circle Nothing Can Break</i></strong><br />
<strong>November 11, 2024 – March 1, 2026</strong><br />
This exhibition begins with a quote from a letter to her future husband Alfred Stieglitz, with Georgia comparing their relationship to &#8220;a circle that nothing can break&#8221;.  This quote shows the importance of one of O’Keeffe’s most evocative motifs—the circle. It surveys key moments in her career when circular shapes and spirals emerge in her abstractions—first in the formative 1910s, and again in her late-period work during the 1970s, after a long hiatus from such themes.</p>
<p>The show features early works created under Alfred Stieglitz’s influence in New York and those from later challenging periods—including post-Stieglitz grief and her late creative revival—offering emotional and formal continuity through this simple but expressive geometric form</p>

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</div><p>The post <a href="https://artbusinessnews.com/2025/07/review-santa-fe-art-week-2025/">Review: Santa Fe Art Week 2025</a> appeared first on <a href="https://artbusinessnews.com">Art Business News</a>.</p>
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		<title>Art Treks: Santa Fe Art Week 2025</title>
		<link>https://artbusinessnews.com/2025/06/art-treks-santa-fe-art-week-2025/</link>
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		<dc:creator><![CDATA[Art Business News]]></dc:creator>
		<pubDate>Mon, 23 Jun 2025 17:14:23 +0000</pubDate>
				<category><![CDATA[Art Santa Fe]]></category>
		<category><![CDATA[Art Treks]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[Georgia O'Keefe]]></category>
		<category><![CDATA[NMNF]]></category>
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					<description><![CDATA[<p>The post <a href="https://artbusinessnews.com/2025/06/art-treks-santa-fe-art-week-2025/">Art Treks: Santa Fe Art Week 2025</a> appeared first on <a href="https://artbusinessnews.com">Art Business News</a>.</p>
]]></description>
										<content:encoded><![CDATA[<div class="wpb-content-wrapper"><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-6 sc_layouts_column_icons_position_left"><div class="vc_column-inner"><div class="wpb_wrapper">
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			<h3><strong>Santa Fe Art Week</strong></h3>
<div><strong><a href="https://www.santafe.org/artweek/" target="_blank" rel="noopener" data-behavior="truncate">https://www.santafe.org/artweek/</a></strong></div>
<div><strong>July 9 &#8211; 20, 2025</strong></div>
<p>&nbsp;</p>
<p><a href="https://www.santafe.org/artweek/"><strong>Santa Fe Art Week</strong></a>, held each July, is a 10-day celebration of the city’s rich creative spirit. Kicking off with Art Santa Fe and the International Folk Art Market, the week features gallery openings, artist talks, studio tours, workshops, and special events across 250+ galleries. Art Week Walks, Talks, and Workshops fill the calendar with unprecedented access to art and artists. It’s an inspiring time when art takes center stage in one of the most vibrant art cities in the world.</p>
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<p>&nbsp;</p>

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			<h3><b>Art Santa Fe &#8211; 25th Anniversary</b></h3>
<div><strong><a href="https://redwoodartgroup.com/art-santa-fe/" target="_blank" rel="noopener" data-behavior="truncate">https://redwoodartgroup.com/art-santa-fe/</a></strong><br />
<strong>July 11 &#8211; 13, 2025</strong></div>
<p>&nbsp;</p>
<div>Santa Fe&#8217;s only contemporary art fair brings artists and galleries from across the globe to the show floor of the SF Convention Center for 3 days each July since the year 2000! See the show&#8217;s Award Winners, snag VIP tickets to attend exclusive previews and hosted receptions. Collectors are welcome to purchase directly from attendant artists and gallerists during the fair.</div>
<p>&nbsp;</p>
<p><a href="https://bit.ly/ASF25-ABN-COLLECTOR"><strong>Get Free Tickets Here.</strong></a></p>
<div></div>

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			<h3><b>IFAM</b></h3>
<div><strong><a href="https://folkartmarket.org/" target="_blank" rel="noopener" data-behavior="truncate">https://folkartmarket.org/</a></strong></div>
<div><strong>July 10-13, 2025</strong></div>
<p>&nbsp;</p>
<div>The International Folk Art Market brings the world&#8217;s finest folk art to Santa Fe each July. It&#8217;s a place where cultures from all corners of the globe are celebrated; where folk artists, often marginalized in their own communities, are elevated. Where the humanity of the handmade isn’t just discussed but is right in front of you as you move from stall to stall at a bustling outdoor event, taking in the shades, symbols, and smiles of nearly 60 countries gathered in one place. More than 150 artists participate, trekking to the United States from 52 different countries — and in four days thousands of visitors attend, purchasing millions in folk art, and more often than not, supplying income that helps sustain entire communities.</div>
<p>&nbsp;</p>

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			<h3><b>SFGA</b></h3>
<div><a href="https://www.santafegalleryassociation.org" target="_blank" rel="noopener" data-behavior="truncate"><strong>https://www.santafegalleryassociation.org</strong></a></div>
<p>&nbsp;</p>
<div>Represents the best galleries museums and art business in 4 distinct districts in Santa Fe, NM. Proud sponsors of Art Week with support from the city&#8217;s Tourism office and the collaborative efforts of Art Santa Fe and the International Folk Art Market. Find our signature ART fans and ART maps at locations throughout the city.</div>
<p>&nbsp;</p>

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			<h3><b>Santa Fe Opera</b></h3>
<p><strong><a href="https://www.santafeopera.org/" target="_blank" rel="noopener" data-behavior="truncate">https://www.santafeopera.org/</a></strong><br />
<strong>June 27 &#8211; August 23, 2025</strong></p>
<p>The 68th Festival Season features 38 performances of three new productions, a beloved Santa Fe Opera revival, and the remount of an award-winning international production, each in harmony with the company’s time-tested programming model of a balanced and varied repertory of new, lesser-performed and standard works. The Santa Fe Opera annually draws 85,000 people from New Mexico and around the globe. Nestled atop a mountain vista, the company’s iconic Crosby Theatre is open on three sides, allowing visitors to enjoy performances complemented by the elements.</p>

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			<h3><b>SITE Santa Fe &#8211; 30th Anniversary</b></h3>
<div><strong><a href="https://www.sitesantafe.org/en/" target="_blank" rel="noopener" data-behavior="truncate">https://www.sitesantafe.org/en/</a></strong></div>
<div><strong><a href="https://www.sitesantafe.org/en/once-within-a-time/" target="_blank" rel="noopener" data-behavior="truncate">https://www.sitesantafe.org/en/once-within-a-time/</a></strong></div>
<div><strong>June 27, 2025 &#8211; January 12, 2026</strong></div>
<p>&nbsp;</p>
<div><strong>SITE SANTA FE</strong> celebrates its <strong>30th Anniversary</strong> and <strong>12th International Biennial</strong> with <em>Once Within a Time</em> — a sweeping tribute to the people who have shaped the Santa Fe region over centuries. Imagined as a vast family album, the biennial unfolds as a symphony of voices, stories, and identities, extending beyond SITE’s galleries into partner institutions and unexpected spaces across the city. Drawing inspiration from those who have lived in, passed through, or left their mark on Santa Fe and New Mexico, this landmark exhibition redefines place through collective memory and artistic dialogue. Curated by Cecilia Alemani.</div>

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			<h3><b>Georgia O&#8217;Keefe Museum</b></h3>
<div><strong><a href="https://www.okeeffemuseum.org/" target="_blank" rel="noopener" data-behavior="truncate">https://www.okeeffemuseum.org/</a></strong></div>
<div><strong><a href="https://www.okeeffemuseum.org/exhibitions/a-circle-that-nothing-can-break/" target="_blank" rel="noopener" data-behavior="truncate">https://www.okeeffemuseum.org/exhibitions/a-circle-that-nothing-can-break/</a></strong></div>
<div><strong>November 11, 2024 &#8211; March 1, 2026</strong></div>
<p>The Georgia O’Keeffe Museum comprises intentionally curated galleries to guide visitors through the inspiring and bold world of Georgia O’Keeffe. Follow the galleries through O’Keeffe’s early work as a student and teacher, groundbreaking paintings from her time living on the East Coast and her artistic revelations from her time in New Mexico.</p>

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			<div class="vc_single_image-wrapper   vc_box_border_grey"><img loading="lazy" decoding="async" width="2292" height="1817" src="https://artbusinessnews.com/wp-content/uploads/2025/06/2008.1.2-resized.jpg" class="vc_single_image-img attachment-full" alt="" title="2008.1.2-(resized)" srcset="https://artbusinessnews.com/wp-content/uploads/2025/06/2008.1.2-resized.jpg 2292w, https://artbusinessnews.com/wp-content/uploads/2025/06/2008.1.2-resized-300x238.jpg 300w, https://artbusinessnews.com/wp-content/uploads/2025/06/2008.1.2-resized-1024x812.jpg 1024w, https://artbusinessnews.com/wp-content/uploads/2025/06/2008.1.2-resized-768x609.jpg 768w, https://artbusinessnews.com/wp-content/uploads/2025/06/2008.1.2-resized-1536x1218.jpg 1536w, https://artbusinessnews.com/wp-content/uploads/2025/06/2008.1.2-resized-2048x1624.jpg 2048w, https://artbusinessnews.com/wp-content/uploads/2025/06/2008.1.2-resized-370x293.jpg 370w, https://artbusinessnews.com/wp-content/uploads/2025/06/2008.1.2-resized-760x602.jpg 760w, https://artbusinessnews.com/wp-content/uploads/2025/06/2008.1.2-resized-470x373.jpg 470w" sizes="auto, (max-width: 2292px) 100vw, 2292px" /></div><figcaption class="vc_figure-caption">Eugenie F. Shonnard, Peasants on Way Home from Fields, early 20th Century, oil on canvas, 15 × 18 in. Collection of the New Mexico Museum of Art. Gift of Eugenie F. Shonnard Estate, 1978 (2008.1.2). © Museum of New Mexico Foundation. Photo by Brad Trone. </figcaption>
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			<h3><b>Museum of New Mexico Foundation</b></h3>
<div><strong><a href="https://www.museumfoundation.org/" target="_blank" rel="noopener" data-behavior="truncate">https://www.museumfoundation.org/</a></strong></div>
<div><strong><a href="https://www.nmartmuseum.org/exhitions/eugenie-shonnard-breaking-the-mold/" target="_blank" rel="noopener" data-behavior="truncate">https://www.nmartmuseum.org/exhitions/eugenie-shonnard-breaking-the-mold/</a></strong></div>
<p><strong>March 8 &#8211; September 1, 2025</strong></p>
<p><i></i><i>Eugenie Shonnard: Breaking the Mold</i> is the first posthumous major exhibition of the acclaimed sculptor. Shonnard was a pivotal figure for the history of art and sculpture in the Southwest, widely recognized during her own time for her contributions to the visual arts, yet largely overlooked in recent decades. This exhibition, with an accompanying publication, seeks to reintroduce Shonnard to a new generation of art enthusiasts. In a time period in which few women excelled in sculpture, Shonnard defied expectations and carved out a space for herself as a formidable presence in the American Southwest.</p>

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</div><p>The post <a href="https://artbusinessnews.com/2025/06/art-treks-santa-fe-art-week-2025/">Art Treks: Santa Fe Art Week 2025</a> appeared first on <a href="https://artbusinessnews.com">Art Business News</a>.</p>
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		<title>ART TREKS: GEORGIA O&#8217;KEEFFE: &#8220;MY NEW YORKS&#8221;</title>
		<link>https://artbusinessnews.com/2024/09/art-treks-georgia-okeeffe-my-new-yorks/</link>
					<comments>https://artbusinessnews.com/2024/09/art-treks-georgia-okeeffe-my-new-yorks/#respond</comments>
		
		<dc:creator><![CDATA[Laura Mullikin]]></dc:creator>
		<pubDate>Tue, 03 Sep 2024 17:25:14 +0000</pubDate>
				<category><![CDATA[Art Treks]]></category>
		<category><![CDATA[Artists]]></category>
		<category><![CDATA[Artists & Genres]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[Art Museum]]></category>
		<category><![CDATA[chicago]]></category>
		<category><![CDATA[Chicago Art Institute]]></category>
		<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Georgia O'Keefe]]></category>
		<category><![CDATA[New York]]></category>
		<guid isPermaLink="false">https://artbusinessnews.com/?p=15170</guid>

					<description><![CDATA[<p>The post <a href="https://artbusinessnews.com/2024/09/art-treks-georgia-okeeffe-my-new-yorks/">ART TREKS: GEORGIA O&#8217;KEEFFE: &#8220;MY NEW YORKS&#8221;</a> appeared first on <a href="https://artbusinessnews.com">Art Business News</a>.</p>
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			<div class="vc_single_image-wrapper   vc_box_border_grey"><img loading="lazy" decoding="async" width="512" height="641" src="https://artbusinessnews.com/wp-content/uploads/2024/09/512px-Georgia_OKeeffe_MET_CT_41513.jpg" class="vc_single_image-img attachment-full" alt="" title="512px-Georgia_O&#039;Keeffe_MET_CT_41513" srcset="https://artbusinessnews.com/wp-content/uploads/2024/09/512px-Georgia_OKeeffe_MET_CT_41513.jpg 512w, https://artbusinessnews.com/wp-content/uploads/2024/09/512px-Georgia_OKeeffe_MET_CT_41513-240x300.jpg 240w, https://artbusinessnews.com/wp-content/uploads/2024/09/512px-Georgia_OKeeffe_MET_CT_41513-370x463.jpg 370w, https://artbusinessnews.com/wp-content/uploads/2024/09/512px-Georgia_OKeeffe_MET_CT_41513-470x588.jpg 470w" sizes="auto, (max-width: 512px) 100vw, 512px" /></div><figcaption class="vc_figure-caption">Georgia O'Keefe
photo credit: Alfred Stieglitz</figcaption>
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			<h4><strong>The details:</strong></h4>
<p><strong>Where:</strong> The Art Institute of Chicago<br />
<strong>What:</strong> Georgia O&#8217;Keeffe: &#8220;My New Yorks&#8221;<br />
<strong>When:</strong> Jun 2-Sep 22</p>

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			<p><strong>Heading to Chicago?</strong> You’re sure to find something revelatory every time you visit the Art Institute—and this time is no different. Even if you think you’re familiar with Georgia O’Keeffe’s work, her “My New Yorks” exhibit offers a new understanding of her range.</p>
<h4><strong>A little context:</strong></h4>
<p>In 1924, O&#8217;Keeffe was living in the Shelton Hotel, then the world&#8217;s tallest residential skyscraper. She embarked on a mission to memorialize this time in her life with a series of cityscapes, ranging from street-level compositions of New York’s skyscrapers to the views she captured looking down from her 30th-floor apartment.</p>
<h4><strong>The exhibit:</strong></h4>
<p>Think of your favorite O’Keeffe work and it&#8217;s probably here—right next to something of hers you’ve never seen before. This one-of-a-kind exhibit marks the first time these works have been curated together, highlighting Georgia&#8217;s clear-cut artistic vision and the special way she reflected the world around her, no matter what environment she was in.</p>
<p>One of the most compelling things about Georgia&#8217;s work is the approachability of it. The simplicity of her vision transcends generations and genres, and it has never been displayed better than in this show.</p>

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			<div class="wpb_video_wrapper"><iframe loading="lazy" title="Georgia O&#039;Keeffe: &quot;My New Yorks&quot; | The reviews are in!" width="500" height="281" src="https://www.youtube.com/embed/VX0PeYgd6z0?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></div>
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		<title>Top East Coast Exhibits of Spring</title>
		<link>https://artbusinessnews.com/2015/04/top-east-coast-exhibits-of-spring/</link>
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		<dc:creator><![CDATA[robhibbs]]></dc:creator>
		<pubDate>Wed, 08 Apr 2015 16:11:21 +0000</pubDate>
				<category><![CDATA[Archives]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Christina Zwart]]></category>
		<category><![CDATA[Elaine de Kooning]]></category>
		<category><![CDATA[Georgia O'Keefe]]></category>
		<category><![CDATA[Guggenheim]]></category>
		<category><![CDATA[Harvard Art Museums]]></category>
		<category><![CDATA[Herb Ritts]]></category>
		<category><![CDATA[Jason Wright]]></category>
		<category><![CDATA[Mark Reynolds]]></category>
		<category><![CDATA[Mark Rothko]]></category>
		<category><![CDATA[MFA Boston]]></category>
		<category><![CDATA[Monir Shahroudy Farmanfarmaian]]></category>
		<category><![CDATA[National Portrait Gallery]]></category>
		<category><![CDATA[Peabody Essex Museum]]></category>
		<category><![CDATA[Subdoh Gupta]]></category>
		<category><![CDATA[The Jewish Museum]]></category>
		<category><![CDATA[The Met]]></category>
		<category><![CDATA[Whitney Museum]]></category>
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					<description><![CDATA[<p>These 15 exhibits in Boston, New York and Washington will keep you busy all up and down the East Coast this spring. By Megan Kaplon Spring on the East Coast—that wet, hopeful season—often begins as Bostonians are still removing the final dregs of winter from their driveways. As the season matures, it quickly transitions into a lush period of growth&#8230;</p>
<p>The post <a href="https://artbusinessnews.com/2015/04/top-east-coast-exhibits-of-spring/">Top East Coast Exhibits of Spring</a> appeared first on <a href="https://artbusinessnews.com">Art Business News</a>.</p>
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										<content:encoded><![CDATA[<h3>These 15 exhibits in Boston, New York and Washington will keep you busy all up and down the East Coast this spring.</h3>
<p><em>By Megan Kaplon</em></p>
<p>Spring on the East Coast—that wet, hopeful season—often begins as Bostonians are still removing the final dregs of winter from their driveways. As the season matures, it quickly transitions into a lush period of growth and greenery as New Yorkers exchange boots for sandals, the tulips bloom in Central Park and the cherry trees blossom around the Jefferson Memorial in Washington. Celebrate spring on the East Coast with these top 15 exhibits in galleries and museums.</p>
<h3>New York City</h3>
<figure id="attachment_8800" aria-describedby="caption-attachment-8800" style="width: 411px" class="wp-caption alignright"><img loading="lazy" decoding="async" class="  wp-image-8800" src="https://artbusinessnews.com/wpdev/wp-content/uploads/2015/03/Gupta_Fountain_2011-300x200.jpg" alt="Gupta_Fountain_2011" width="411" height="273" srcset="https://artbusinessnews.com/wp-content/uploads/2015/03/Gupta_Fountain_2011-300x200.jpg 300w, https://artbusinessnews.com/wp-content/uploads/2015/03/Gupta_Fountain_2011.jpg 1000w" sizes="auto, (max-width: 411px) 100vw, 411px" /><figcaption id="caption-attachment-8800" class="wp-caption-text">&#8220;This is not a fountain&#8221; (detail), Subdodh Gupta</figcaption></figure>
<p><strong>Subodh Gupta, Seven Billion Light Years</strong></p>
<p>Hauser &amp; Wirth, 18th Street<br />
Feb. 10 – April 25<br />
A painter and sculptor who lives and works in New Delhi, Subodh Gupta uses objects he gets from junkyards and antiques markets in his home country to inspire and build his art. The resulting creations celebrate Gupta’s small-town upbringing and explore the realities of Indian life. This exhibition will be his second at a New York location of Hauser &amp; Wirth.<br />
<a title="Hauser Wirth" href="http://www.hauserwirth.com/">hauserwirth.com</a></p>
<p><strong>Monir Shahroudy Farmanfarmaian: Infinite Possibility. Mirror Works and Drawings </strong><br />
The Guggenheim Museum<br />
March 13 – June 3<br />
Farmanfarmaian’s geometric designs find their roots in Islamic art. The prolific Iranian artist, now 90, is most famous for her mirror mosaics and mirror-reverse glass painting; however, the Infinite Possibility collection also features a number of her sketches and drawings, providing a unique look at this extraordinary artist.<br />
<a title="The Guggenheim Museum" href="http://www.guggenheim.org/">guggenheim.org</a></p>
<figure id="attachment_8811" aria-describedby="caption-attachment-8811" style="width: 409px" class="wp-caption alignleft"><img loading="lazy" decoding="async" class="wp-image-8811" src="https://artbusinessnews.com/wpdev/wp-content/uploads/2015/03/31_172_DemuthC.jpeg-248x300.jpg" alt="31_172_DemuthC.jpeg" width="409" height="496" srcset="https://artbusinessnews.com/wp-content/uploads/2015/03/31_172_DemuthC.jpeg-248x300.jpg 248w, https://artbusinessnews.com/wp-content/uploads/2015/03/31_172_DemuthC.jpeg.jpg 845w" sizes="auto, (max-width: 409px) 100vw, 409px" /><figcaption id="caption-attachment-8811" class="wp-caption-text">&#8220;My Egypt,&#8221; Charles Demuth</figcaption></figure>
<p><strong>Inaugural Exhibition</strong></p>
<p>The Whitney Museum of American Art<br />
Starting May 1<br />
The Whitney reopens for the first time this spring since moving to its new 220,000-square-foot, Renzo Piano-designed building in the Meatpacking District. The museum’s inaugural exhibition promises to be the largest and most comprehensive display to date of the museum&#8217;s vast permanent collection of 20th and 21st century art.<br />
<a title="Whitney Museum" href="http://whitney.org/">whitney.org</a></p>
<p><strong>Revolution of the Eye: Modern Art and the Birth of American Television</strong><br />
The Jewish Museum<br />
May 1 – Sept. 15<br />
This exhibit provides a look at the way avant-garde art shaped the look of television in the 1950s and ’60s with works by Saul Bass, Alexander Calder, Andy Warhol and more, as well as memorabilia and clips from iconic films and television shows, including Batman, The Ed Sullivan Show and The Twilight Zone.<br />
<a title="The Jewish Museum" href="http://thejewishmuseum.org/">thejewishmuseum.org</a></p>
<figure id="attachment_8809" aria-describedby="caption-attachment-8809" style="width: 260px" class="wp-caption alignright"><img loading="lazy" decoding="async" class="wp-image-8809" src="https://artbusinessnews.com/wpdev/wp-content/uploads/2015/03/04.-Evening-Dress-Roberto-Cavalli-Fall-2005-240x300.jpg" alt="Evening dress, Roberto Cavalli" width="260" height="326" srcset="https://artbusinessnews.com/wp-content/uploads/2015/03/04.-Evening-Dress-Roberto-Cavalli-Fall-2005-240x300.jpg 240w, https://artbusinessnews.com/wp-content/uploads/2015/03/04.-Evening-Dress-Roberto-Cavalli-Fall-2005.jpg 819w" sizes="auto, (max-width: 260px) 100vw, 260px" /><figcaption id="caption-attachment-8809" class="wp-caption-text">Evening dress, Roberto Cavalli</figcaption></figure>
<p><strong>China: Through the Looking Glass</strong></p>
<p>Metropolitan Museum of Art<br />
May 7 – Aug. 16<br />
Housed in the Met’s Chinese Galleries and Anna Wintour Costume Center, this exhibit showcases Chinese high fashion and costumes, as well as paintings, decorative arts, porcelains and films in an exploration of Chinese imagery from the 1700s to the present.<br />
<a title="The Metropolitan Museum of Art" href="http://www.metmuseum.org/">metmuseum.org</a></p>
<p><strong>Mark Reynolds </strong><br />
Pierogi Gallery<br />
June 5 – July 5<br />
Artist Mark Reynolds’ geometric drawings get their dizzying effect from the mathematical relations he uses to build the images. He sometimes derives the ratios in his drawings from nature or music, and he uses geometry to create intricate, weblike drawings that captivate the observer.<br />
<a title="Pierogi Gallery" href="http://www.pierogi2000.com/">pierogi2000.com</a></p>
<h3>Greater Boston</h3>
<figure id="attachment_8805" aria-describedby="caption-attachment-8805" style="width: 408px" class="wp-caption alignright"><a href="https://artbusinessnews.com/wpdev/wp-content/uploads/2015/03/Rothko-Harvard-Murals_Photo-Peter-Vanderwarker_5324.jpg"><img loading="lazy" decoding="async" class=" wp-image-8805" src="https://artbusinessnews.com/wpdev/wp-content/uploads/2015/03/Rothko-Harvard-Murals_Photo-Peter-Vanderwarker_5324-300x200.jpg" alt="&quot;Panel Two&quot; and &quot;Panel Three,&quot; Mark Rothko" width="408" height="272" srcset="https://artbusinessnews.com/wp-content/uploads/2015/03/Rothko-Harvard-Murals_Photo-Peter-Vanderwarker_5324-300x200.jpg 300w, https://artbusinessnews.com/wp-content/uploads/2015/03/Rothko-Harvard-Murals_Photo-Peter-Vanderwarker_5324.jpg 1000w" sizes="auto, (max-width: 408px) 100vw, 408px" /></a><figcaption id="caption-attachment-8805" class="wp-caption-text">&#8220;Panel Two&#8221; and &#8220;Panel Three,&#8221; Mark Rothko</figcaption></figure>
<p><strong>Mark Rothko’s Harvard Murals</strong><br />
Harvard Art Museums, Cambridge, MA<br />
Through July 26<br />
On display at the new Harvard Art Museums, this exhibit features a camera projector system that helps restore the appearance of Rothko’s murals to how they looked when originally painted. (The colors faded while the murals were on display in a penthouse faculty dining room of Harvard’s Holyoke Center in the ’60s and ’70s.)<br />
<a title="Harvard Art Museums" href="http://www.harvardartmuseums.org/">harvardartmuseums.org</a></p>
<p><strong>Audacious: The Fine Art of Wood from the Montalto Bohlen Collection</strong><br />
Peabody Essex Museum, Salem, MA<br />
Feb. 21 – June 21<br />
Nearly 100 diverse wood pieces from around the world come together for this exhibit of contemporary wood art at the Peabody Essex Museum. Shaped as vessels, bowls and vases or entirely abstract, the works in this exhibit showcase the versatility of wood as a medium.<br />
<a title="Peabody Essex Museum" href="http://www.pem.org/">pem.org</a></p>
<figure id="attachment_8808" aria-describedby="caption-attachment-8808" style="width: 266px" class="wp-caption alignright"><img loading="lazy" decoding="async" class="  wp-image-8808" src="https://artbusinessnews.com/wpdev/wp-content/uploads/2015/03/1_Versace-Dress-232x300.jpg" alt="1_Versace-Dress" width="266" height="344" srcset="https://artbusinessnews.com/wp-content/uploads/2015/03/1_Versace-Dress-232x300.jpg 232w, https://artbusinessnews.com/wp-content/uploads/2015/03/1_Versace-Dress.jpg 793w" sizes="auto, (max-width: 266px) 100vw, 266px" /><figcaption id="caption-attachment-8808" class="wp-caption-text">&#8220;Versace Dress,&#8221; Herb Ritts</figcaption></figure>
<p><strong>Herb Ritts</strong><br />
Museum of Fine Arts, Boston<br />
March 14 – Nov. 8<br />
In 2007, the Herb Ritts Foundation donated $2.5 million to the Museum of Fine Arts, Boston, to build the first gallery at the museum dedicated solely to photography. This spring, the Herb Ritts and Clementine Brown Galleries at the museum will be filled with Ritts’ work, including many pieces from the 1996 MFA exhibit Herb Ritts: Work, which was one of the most popular exhibitions at the museum to date. It will also showcase other images from the late fashion photographer’s vast body of work.<br />
<a title="Museum of Fine Arts, Boston" href="http://www.mfa.org/">mfa.org</a></p>
<p><strong>Christina Zwart</strong><br />
Boston Sculptors Gallery<br />
April 1 – May 3<br />
Zwart, a native of Wayland, Massachusetts, challenges perceptions of reality with her indoor and outdoor installations. Through multiplication and manipulation, Zwart, who got her start as a window-display artist, dislodges familiar objects from our associations and gives them an entirely new—and sometimes bizarre—existence.<br />
<a title="Boston Sculptors Gallery" href="http://www.bostonsculptors.com/">bostonsculptors.com</a></p>
<h3>Washington</h3>
<figure id="attachment_8819" aria-describedby="caption-attachment-8819" style="width: 264px" class="wp-caption alignleft"><a href="https://artbusinessnews.com/wpdev/wp-content/uploads/2015/03/okeeffe-jack-in-the-pulpit-IV-1930.jpg"><img loading="lazy" decoding="async" class="  wp-image-8819" src="https://artbusinessnews.com/wpdev/wp-content/uploads/2015/03/okeeffe-jack-in-the-pulpit-IV-1930-225x300.jpg" alt="okeeffe-jack-in-the-pulpit-IV-1930" width="264" height="352" srcset="https://artbusinessnews.com/wp-content/uploads/2015/03/okeeffe-jack-in-the-pulpit-IV-1930-225x300.jpg 225w, https://artbusinessnews.com/wp-content/uploads/2015/03/okeeffe-jack-in-the-pulpit-IV-1930.jpg 766w" sizes="auto, (max-width: 264px) 100vw, 264px" /></a><figcaption id="caption-attachment-8819" class="wp-caption-text">&#8220;Jack in the Pulpit IV,&#8221; Georgia O&#8217;Keefe</figcaption></figure>
<p><strong>O’Keeffe and Friends: Dialogues with Nature</strong><br />
The Phillips Collection<br />
Through May 31<br />
Georgia O’Keeffe’s Jack-in-the-Pulpit No. IV and Jack-in-the-Pulpit No. VI are on display alongside landscapes and other paintings from American modernists of the early 1900s, including Alvin Langdon Coburn, Arthur Dove, Marsden Hartley and John Marin, who contemplate and celebrate elements of nature.<br />
<a title="The Phillips Collection" href="http://www.phillipscollection.org/">phillipscollection.org</a></p>
<p><strong>Elaine de Kooning: Portraits</strong><br />
National Portrait Gallery<br />
March 13 – Jan. 10, 2016<br />
Abstract expressionist portraitist and painter Elaine de Kooning is best known for her portrayals of men, including her husband, painter Willem De Kooning; critic Harold Rosenberg; poets Frank O’Hara and Allen Ginsberg; and President John F. Kennedy, all of which will be on display in this curated exhibition at the National Portrait Gallery.<br />
<a title="The National Portrait Gallery" href="http://nationalportraitgallery.org/">nationalportraitgallery.org</a></p>
<figure id="attachment_8812" aria-describedby="caption-attachment-8812" style="width: 309px" class="wp-caption alignright"><a href="https://artbusinessnews.com/wpdev/wp-content/uploads/2015/03/51_24_back_detail_Unraveling-Identity.jpg"><img loading="lazy" decoding="async" class="  wp-image-8812" src="https://artbusinessnews.com/wpdev/wp-content/uploads/2015/03/51_24_back_detail_Unraveling-Identity-300x240.jpg" alt="51_24_back_detail_Unraveling-Identity" width="309" height="246" srcset="https://artbusinessnews.com/wp-content/uploads/2015/03/51_24_back_detail_Unraveling-Identity-300x240.jpg 300w, https://artbusinessnews.com/wp-content/uploads/2015/03/51_24_back_detail_Unraveling-Identity.jpg 1000w" sizes="auto, (max-width: 309px) 100vw, 309px" /></a><figcaption id="caption-attachment-8812" class="wp-caption-text">Daoist priest&#8217;s robe (detail), China, mid-19th century</figcaption></figure>
<p><strong>Unraveling Identity: Our Textiles, Our Stories</strong><br />
The Textile Museum at the George Washington University Museum<br />
March 21 – Aug. 24<br />
The largest exhibition in The Textile Museum’s history, Unraveling Identity will feature more than 100 pieces spanning 3,000 years and five continents. Clothing, decorative pieces, housewares and more explore culture, politics and social identity through textiles.<br />
<a title="The George Washington University Museum" href="http://museum.gwu.edu/">museum.gwu.edu</a></p>
<p><strong>Jason Wright</strong><br />
LongView Gallery<br />
May 8 – June 7<br />
Wright, a graduate of the Corcoran College of Art and Design, got his first taste of art illustrating skateboards at home in Hawaii and is now a seasoned artist known for his geometric paintings. Wright’s spring show at LongView, “VERSUS,” will feature two versions of each painting, one in black and gray and another in color. His intention is to show how the same scene in different colors evokes different feelings from the viewer.<br />
<a title="LongView Gallery" href="http://longviewgallerydc.com/">longviewgallerydc.com</a></p>
<figure id="attachment_8804" aria-describedby="caption-attachment-8804" style="width: 298px" class="wp-caption alignright"><a href="https://artbusinessnews.com/wpdev/wp-content/uploads/2015/03/Reflection-YsabelLeMay.jpg"><img loading="lazy" decoding="async" class="  wp-image-8804" src="https://artbusinessnews.com/wpdev/wp-content/uploads/2015/03/Reflection-YsabelLeMay-300x248.jpg" alt="Reflection-YsabelLeMay" width="298" height="246" srcset="https://artbusinessnews.com/wp-content/uploads/2015/03/Reflection-YsabelLeMay-300x248.jpg 300w, https://artbusinessnews.com/wp-content/uploads/2015/03/Reflection-YsabelLeMay-768x634.jpg 768w, https://artbusinessnews.com/wp-content/uploads/2015/03/Reflection-YsabelLeMay-370x306.jpg 370w, https://artbusinessnews.com/wp-content/uploads/2015/03/Reflection-YsabelLeMay-760x628.jpg 760w, https://artbusinessnews.com/wp-content/uploads/2015/03/Reflection-YsabelLeMay-470x388.jpg 470w, https://artbusinessnews.com/wp-content/uploads/2015/03/Reflection-YsabelLeMay.jpg 1000w" sizes="auto, (max-width: 298px) 100vw, 298px" /></a><figcaption id="caption-attachment-8804" class="wp-caption-text">&#8220;Reflection,&#8221; Ysabel LeMay</figcaption></figure>
<p><strong>Organic Matters—Women to Watch </strong><br />
National Museum of Women in the Arts<br />
June 5 – Sept. 13<br />
The fourth installment of NMWA’s Women to Watch series features 13 up-and-coming female artists from all over the country and the world. Each of the pieces feature elements of this year’s theme: imagery and materials from the natural world.<br />
<a title="National Museum of Women in the Arts" href="http://nmwa.org/" target="_blank" rel="noopener noreferrer">nmwa.org</a></p>
<h3>+10 Other notable exhibits scattered across the East Coast</h3>
<p><strong>The Critique of Reason: Romantic Art, 1760-1860</strong><br />
March 6 – July 26<br />
Yale University Art Gallery, New Haven, Connecticut<br />
The Yale University Art Gallery and Yale Center for British Art team up to present works that celebrate the richness and range of Yale’s Romantic pieces.<br />
<a title="Yale University Art Gallery" href="http://artgallery.yale.edu/" target="_blank" rel="noopener noreferrer">artgallery.yale.edu</a></p>
<p><strong>Elliott Erwitt: Dog Dogs</strong><br />
March 7 – May 24<br />
Delaware Art Museum, Wilmington, Delaware<br />
A collection of memorable canine photographs taken by Erwitt in various locations around the world between 1946 and 2004.<br />
<a title="Delaware Art Museum" href="http://www.delart.org/" target="_blank" rel="noopener noreferrer">delart.org</a></p>
<figure id="attachment_8816" aria-describedby="caption-attachment-8816" style="width: 498px" class="wp-caption aligncenter"><img loading="lazy" decoding="async" class="wp-image-8816" src="https://artbusinessnews.com/wpdev/wp-content/uploads/2015/03/birmingham_great_britain-300x202.jpg" alt="&quot;Birmingham, Great Britain,&quot; Elliott Erwitt" width="498" height="335" srcset="https://artbusinessnews.com/wp-content/uploads/2015/03/birmingham_great_britain-300x202.jpg 300w, https://artbusinessnews.com/wp-content/uploads/2015/03/birmingham_great_britain.jpg 1000w" sizes="auto, (max-width: 498px) 100vw, 498px" /><figcaption id="caption-attachment-8816" class="wp-caption-text">&#8220;Birmingham, Great Britain,&#8221; Elliott Erwitt</figcaption></figure>
<p><strong>Halston and Warhol: Silver and Suede</strong><br />
March 7 – June 14<br />
Mint Museum, Charlotte, North Carolina<br />
This exhibit unites the work of Andy Warhol and Roy Halston Frowick to explore the art and fashion of the ’60s and ’70s.<br />
<a title="Mint Museum" href="http://www.mintmuseum.org/" target="_blank" rel="noopener noreferrer">mintmuseum.org</a></p>
<p><strong>Rinehart’s Studio: Rough Stone to Living Marble</strong><br />
March 29 – August 30<br />
The Walters Art Museum, Baltimore, Maryland<br />
Explore the striking marble sculptors of 19th-century artist and Maryland native William Henry Rinehart.<br />
<a title="The Walters Art Museum" href="http://thewalters.org/" target="_blank" rel="noopener noreferrer">thewalters.org</a></p>
<p><strong>Young Contemporaries: Annual Student Exhibition</strong><br />
April 4 – May 2<br />
Halsey Institute of Contemporary Art, Charleston, South Carolina<br />
The brightest stars of the College of Charleston’s School of the Arts show off their work in this annual exhibition.<br />
<a title="The Halsey Institute of Contemporary Art" href="http://halsey.cofc.edu/" target="_blank" rel="noopener noreferrer">halsey.cofc.edu</a></p>
<p><strong>Robert Lobe: In the Forest of Drawn Metal</strong><br />
April 11 – January 17, 2016<br />
Grounds for Sculpture, Hamilton, New Jersey<br />
Lobe’s textured and patinated aluminum wall reliefs are made by hammering sheets of aluminum over natural forms.<br />
<a title="Grounds for Sculpture" href="http://www.groundsforsculpture.org/" target="_blank" rel="noopener noreferrer">groundsforsculpture.org</a></p>
<p><strong>Drawing Ambience: Alvin Boyarsky and the Architectural Association</strong><br />
April 24 – August 2<br />
RISD Museum, Providence, Rhode Island<br />
Boyarsky assembled this collection of drawings during his time as chairman of the Architectural Association. It includes work by some of the most prominent architects and artists of the late 20th Century.<br />
<a title="RISD Museum" href="http://risdmuseum.org/" target="_blank" rel="noopener noreferrer">risdmuseum.org</a></p>
<figure id="attachment_8815" aria-describedby="caption-attachment-8815" style="width: 289px" class="wp-caption alignleft"><img loading="lazy" decoding="async" class="wp-image-8815" src="https://artbusinessnews.com/wpdev/wp-content/uploads/2015/03/Either-Or-Arch-2011-1-181x300.jpg" alt="Either-Or-Arch-2011---1" width="289" height="479" srcset="https://artbusinessnews.com/wp-content/uploads/2015/03/Either-Or-Arch-2011-1-181x300.jpg 181w, https://artbusinessnews.com/wp-content/uploads/2015/03/Either-Or-Arch-2011-1.jpg 619w" sizes="auto, (max-width: 289px) 100vw, 289px" /><figcaption id="caption-attachment-8815" class="wp-caption-text">&#8220;Either/Or Arch for Ipswich,&#8221; Eric Standley</figcaption></figure>
<p><strong>Mark Dion, Judy Pfaff, Fred Wilson: The Order of Things</strong><br />
May 16 – August 3<br />
The Barnes Foundation, Philadelphia, Pennsylvania<br />
Three new large-scale installations, each created specifically for the Barnes Foundation, will be displayed in this three-month-long exhibit.<br />
<a title="The Barnes Foundation" href="http://www.barnesfoundation.org/" target="_blank" rel="noopener noreferrer">barnesfoundation.org</a></p>
<p>&nbsp;</p>
<p><strong>Eric Standley: In Depth</strong><br />
May 21 – August 16<br />
Virginia Museum of Contemporary Art, Virginia Beach, Virginia<br />
Revel in the intricate craft required to bring to life Standley’s impossibly detailed paper sculptures.<br />
<a title="Virginia Museum of Contemporary Art" href="http://virginiamoca.org/" target="_blank" rel="noopener noreferrer">virginiamoca.org</a></p>
<p><strong>Japanese Tattoo: Perseverance, Art, and Tradition</strong><br />
May 30 – September 27<br />
Virginia Museum of Fine Arts, Richmond, Virginia<br />
The work of seven internationally acclaimed tattoo artists, eachof whom finds inspiration in the Japanese tradition of tattooing, displays alongside tools and relief carvings, as well as a recreated Shinto shrine.<br />
<a title="Virginia Museum of Fine Art" href="http://vmfa.museum/" target="_blank" rel="noopener noreferrer">vmfa.museum</a></p>
<p>The post <a href="https://artbusinessnews.com/2015/04/top-east-coast-exhibits-of-spring/">Top East Coast Exhibits of Spring</a> appeared first on <a href="https://artbusinessnews.com">Art Business News</a>.</p>
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