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	<title>Climate Change Archives - Art Business News</title>
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		<title>The Art of Resilience: Imagining New Futures In A Changing Climate</title>
		<link>https://artbusinessnews.com/2025/09/the-art-of-resilience/</link>
					<comments>https://artbusinessnews.com/2025/09/the-art-of-resilience/#respond</comments>
		
		<dc:creator><![CDATA[Charlotte Van Voorhis, Community Engagement Manager, Envision Resilience]]></dc:creator>
		<pubDate>Wed, 03 Sep 2025 19:40:52 +0000</pubDate>
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					<description><![CDATA[<p>The post <a href="https://artbusinessnews.com/2025/09/the-art-of-resilience/">The Art of Resilience: Imagining New Futures In A Changing Climate</a> appeared first on <a href="https://artbusinessnews.com">Art Business News</a>.</p>
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			<p>On an unseasonably warm spring afternoon in Portland, Maine, this April, the SPACE Gallery opened an exhibition titled <em>Envision Resilience: Shifting Tides and Evolving Landscapes</em>, which paired innovative student design strategies for adapting to a changing climate with the powerful artwork of seven Maine-based artists. This exhibition, the culmination of the fourth annual Envision Resilience Challenge, drew visitors into a discussion about climate change and community resilience through art.</p>
<p>Curated by esteemed local artist Brian Smith, whose work inspired by queer ecological theory has been exhibited across the U.S. and in Belgium, the SPACE Gallery multimedia exhibition created an immersive environment where designs using recycled plastic bags complemented digital renderings of floating architecture. Underwater paintings sat adjacent to storm surge projections, and virtual reality videos and seaweed sculptures alike drew people deeper into contemplation. Smith’s work aims to provide a more optimistic outlook on climate change, as explained in his curatorial vision: &#8220;When everything [regarding our changing climate] feels really dark and scary, we can acknowledge that that&#8217;s all very real, but that we&#8217;re also very resilient people and can figure it out.”</p>

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			<div class="vc_single_image-wrapper   vc_box_border_grey"><img fetchpriority="high" decoding="async" width="1420" height="800" src="https://artbusinessnews.com/wp-content/uploads/2025/09/ABN-resilience-2.jpg" class="vc_single_image-img attachment-full" alt="" title="ABN-resilience-2" srcset="https://artbusinessnews.com/wp-content/uploads/2025/09/ABN-resilience-2.jpg 1420w, https://artbusinessnews.com/wp-content/uploads/2025/09/ABN-resilience-2-300x169.jpg 300w, https://artbusinessnews.com/wp-content/uploads/2025/09/ABN-resilience-2-1024x577.jpg 1024w, https://artbusinessnews.com/wp-content/uploads/2025/09/ABN-resilience-2-768x433.jpg 768w, https://artbusinessnews.com/wp-content/uploads/2025/09/ABN-resilience-2-370x208.jpg 370w, https://artbusinessnews.com/wp-content/uploads/2025/09/ABN-resilience-2-1170x658.jpg 1170w, https://artbusinessnews.com/wp-content/uploads/2025/09/ABN-resilience-2-760x428.jpg 760w, https://artbusinessnews.com/wp-content/uploads/2025/09/ABN-resilience-2-470x265.jpg 470w, https://artbusinessnews.com/wp-content/uploads/2025/09/ABN-resilience-2-270x152.jpg 270w" sizes="(max-width: 1420px) 100vw, 1420px" /></div><figcaption class="vc_figure-caption">Photo courtesy of SPACE Gallery - Credit: Nick Eaton, Life in Focus</figcaption>
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			<p>The featured artists’ work embodied this spirit of resilience and imagination.</p>
<ul>
<li>Portland-based interdisciplinary artist Benjamin Spalding created birds with wood, steel and acrylic, gouache, colored pencil and pastel, which brought movement and rhythm inspired by his Puerto Rican roots and nature.</li>
<li>Internationally trained artist and educator Haley Nannig contributed her impressive silk work depicting historic fishing shacks washed away in the historic January 2024 storms, with layered paintings conveying the fluidity and beauty of the environment.</li>
<li>Sculptor Ian Ellis provided sustainably crafted designs with natural and reclaimed elements, including steel, kelp and Irish moss to honor overlooked aspects of Maine’s ecology.</li>
<li>Jordan Carey blended Bermudian craft and social critique through his expertise in fashion and kite-making, using bamboo, handmade paper and natural indigo dye for his unique creations.</li>
<li>Lokotah Sanborn’s moving photomontages were influenced by his experience in community organizing for land return, cultural continuity and Indigenous sovereignty.</li>
<li>Multi-media artist Michel Droge shared immersive, deep-sea–inspired paintings, drawings and film viewed through the lens of queer ecology to promote awareness and conservation of overlooked environmental areas.</li>
<li>Posey (Pamela Moulton), a Franco-American multidisciplinary artist, collaborated with the community to transform salvaged fishing nets and plastic into playful, eco-mythic installations that highlight climate issues specific to Maine.</li>
</ul>
<p>Since its first annual Challenge in 2020, Envision Resilience has been working to advance innovative planning and design in the face of climate change through student and community partnerships. By connecting current and future professionals working across disciplines, the organization creates opportunities for communities to reimagine climate challenges and inspire resilient solutions.</p>

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			<div class="vc_single_image-wrapper   vc_box_border_grey"><img decoding="async" width="1026" height="1320" src="https://artbusinessnews.com/wp-content/uploads/2025/09/ABN-resilience-3.jpg" class="vc_single_image-img attachment-full" alt="" title="ABN-resilience-3" srcset="https://artbusinessnews.com/wp-content/uploads/2025/09/ABN-resilience-3.jpg 1026w, https://artbusinessnews.com/wp-content/uploads/2025/09/ABN-resilience-3-233x300.jpg 233w, https://artbusinessnews.com/wp-content/uploads/2025/09/ABN-resilience-3-796x1024.jpg 796w, https://artbusinessnews.com/wp-content/uploads/2025/09/ABN-resilience-3-768x988.jpg 768w, https://artbusinessnews.com/wp-content/uploads/2025/09/ABN-resilience-3-370x476.jpg 370w, https://artbusinessnews.com/wp-content/uploads/2025/09/ABN-resilience-3-760x978.jpg 760w, https://artbusinessnews.com/wp-content/uploads/2025/09/ABN-resilience-3-470x605.jpg 470w" sizes="(max-width: 1026px) 100vw, 1026px" /></div><figcaption class="vc_figure-caption">Photo courtesy of SPACE Gallery - Credit: Nick Eaton, Life in Focus</figcaption>
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			<p>At its heart, Envision Resilience is a place-based, multi-university design studio and community engagement initiative, pairing student teams from participating universities with coastal communities for a semester spent researching and proposing creative ideas for challenges related to housing, stormwater management and coastal infrastructure, habitats, and ecology. But its programming also fosters innovative storytelling – harnessing art&#8217;s power to translate complex climate realities into emotionally accessible narratives. Over the past five years, Envision Resilience has bridged science, design, and art throughout communities on the front lines of climate change throughout the Northeast.</p>
<p>A few weeks prior to the installation at the SPACE Gallery, another exhibition unfolded at the Portland Public Library in February where visitors encountered student designs alongside the vibrant work of illustrator Lin Snow. Snow&#8217;s naturalist illustrations, with their vivid chromatic lens, provided visual reflections on ecosystem balance and climate impacts that complemented the technical innovation of the student design proposals. From living shorelines and green stormwater infrastructure to reimagined transportation systems in a low-carbon future, each design was developed through months of community engagement with Portland and South Portland residents.</p>
<p>Community participation is key to the challenge, not only in developing designs for the future but also in sharing and embracing that vision through a series of public exhibitions. This collaborative approach continued at the South Portland Public Library in March, where Pame Chévez Zendejas&#8217;s artwork punctuated the exhibition space. The visual artist&#8217;s work examines the natural world through compelling imagery that explores climate change impacts on ecosystems and communities. Her contributions offered striking visual reflections on resilience and adaptation, drawing parallels between student innovation and artistic interpretation.</p>

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			<div class="vc_single_image-wrapper   vc_box_border_grey"><img decoding="async" width="402" height="536" src="https://artbusinessnews.com/wp-content/uploads/2025/09/ABN-resilience-4.jpg" class="vc_single_image-img attachment-full" alt="" title="ABN-resilience-4" srcset="https://artbusinessnews.com/wp-content/uploads/2025/09/ABN-resilience-4.jpg 402w, https://artbusinessnews.com/wp-content/uploads/2025/09/ABN-resilience-4-225x300.jpg 225w, https://artbusinessnews.com/wp-content/uploads/2025/09/ABN-resilience-4-370x493.jpg 370w" sizes="(max-width: 402px) 100vw, 402px" /></div><figcaption class="vc_figure-caption">Josie Morway’s The Seas Are Rising and So Are We mural in Warren, Rhode Island - Photo credit: Envision Resilience</figcaption>
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			<p>From flood lines stenciled on sidewalks to murals that echo community voices, Envision Resilience has brought climate adaptation into public view, turning buildings and streetscapes into vivid calls for action. In October 2021, as part of their inaugural Envision Resilience Nantucket Challenge on Nantucket, the program unveiled the &#8220;Rising Above&#8221; light projection, which transformed the historic scallop shanty on Old North Wharf into a compelling story of rising seas and shifting shorelines. Owned by Nantucket native and environmental advocate Ginger Andrews, the shanty took on new life as a luminous symbol of the island&#8217;s delicate balance between preservation, adaptation, and inevitable change.</p>
<p>Running on a five-minute loop, a light projection of waves traced historic tides and projected future water levels created by Scenic and Projection Designer Michael Clark, reminding passersby that climate change is already at our door. For Andrews, a fifth-generation scalloper and steward of the island, the shanty became a metaphor for resilience. As she put it, “It’s knowing what you can save, what you can’t save, and getting out of the way when there’s something going down.” This breakthrough moment revealed art&#8217;s capacity to transform abstract threats into tangible, emotional experiences.</p>
<p>Building on this understanding of art&#8217;s power to conceptualize climate change, the 2022 Envision Resilience Narragansett Bay Challenge celebrated and supported the &#8220;The Seas Are Rising and So Are We,&#8221; a mural in Warren, Rhode Island developed by The Avenue Concept and the Town of Warren, which honors the endangered saltmarsh sparrow and the fragile habitat it calls home.</p>

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			<p>Painted by Boston artist Josie Morway, the symbols in the mural were drawn from local ecology and inspired by the first chapter of Elizabeth Rush&#8217;s <em>Rising: Dispatches from the New American Shore</em>, which chronicles the loss of a beloved tupelo tree to encroaching seas. Echoed through Warren&#8217;s streets and beyond was her haunting question: &#8220;Who do we want to become as the climate changes us?” Envision Resilience worked with their partners to spread the word and purchased copies of Rush&#8217;s book, as well as invited the author, who biked over from Providence for the event, to be available for signing.</p>
<p>Warren&#8217;s climate adaptation projects underscore the town&#8217;s courage in confronting hard decisions about retreat and resilience—where community advisor and then Director of Planning Bob Rulli was stewarding early phases of the first managed retreat plan for the town. The mural serves as a public gathering point for conversation and awareness, embodying the same principle that guided the Nantucket installation: making the invisible visible through art. It stands as a local reminder, connecting ecological grief with collective resolve.</p>

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			<p>Envision Resilience doubled down on their community-centered approach for the 2023 Envision Resilience New Bedford and Fairhaven Challenge in Massachusetts with a mural in New Bedford&#8217;s North End. Designed by University of Massachusetts Dartmouth College of Visual and Performing Arts student Ethan Moyer and brought to life by local artist and organizer David Andrews, the mural captures a moment of quiet optimism: A young person gazing toward an uncertain future, framed by the neighborhood&#8217;s familiar buildings and waves flowing through their hair. The mural was chosen through a neighborhood vote and its unveiling that late summer afternoon on Acushnet Avenue became a celebration – a moment where art brought the community together to see their shared story reflected in color.</p>
<p>This project, born from a collaboration among Envision Resilience, New Bedford Creative, Love the Ave, MassDevelopment TDI and UMass Dartmouth, stands as a testament to the power of public art to unify diverse voices. It grounds climate adaptation in the lived experience, culture, and identity of place, which is a mission that began to take shape three years earlier on another New England coast.</p>
<p>From glowing light installations to colorful murals and thoughtful student designs, each project amplifies local history and perseverance. These stories build community resilience, not only in infrastructure and policy but also in how we understand ourselves and our relationship to a changing world. As Envision Resilience moves beyond 2025, its mission grows bolder and broader. The Portland and South Portland exhibitions this year illustrated a commitment to embedding climate adaptation into everyday life, making it a shared, visible endeavor that connects communities and their parallel climate challenges throughout the Northeast</p>
<p>Envision Resilience reveals art&#8217;s transformative power and reinforces the importance of collaboration, creativity and hope in imagining equitable and adaptive futures.</p>

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</div><p>The post <a href="https://artbusinessnews.com/2025/09/the-art-of-resilience/">The Art of Resilience: Imagining New Futures In A Changing Climate</a> appeared first on <a href="https://artbusinessnews.com">Art Business News</a>.</p>
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		<title>Three Key Trends Guiding the Art Market in the New Year</title>
		<link>https://artbusinessnews.com/2020/01/three-key-trends-guiding-the-art-market-in-the-new-year/</link>
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		<dc:creator><![CDATA[Joe Dunn]]></dc:creator>
		<pubDate>Tue, 14 Jan 2020 18:23:51 +0000</pubDate>
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					<description><![CDATA[<p>2020 is poised to be a year of changes for the art market, driven by factors ranging from environmental changes to the effects of trade wars. Here is a look at three of the trends that Huntington T. Block Insurance Agency expects to make a major impact on the art market in the new year – globalization, climate change, and&#8230;</p>
<p>The post <a href="https://artbusinessnews.com/2020/01/three-key-trends-guiding-the-art-market-in-the-new-year/">Three Key Trends Guiding the Art Market in the New Year</a> appeared first on <a href="https://artbusinessnews.com">Art Business News</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p class="p3"><span class="s1">2020 is poised to be a year of changes for the art market, driven by factors ranging from environmental changes to the effects of trade wars. Here is a look at three of the trends that Huntington T. Block Insurance Agency expects to make a major impact on the art market in the new year – globalization, climate change, and the escalation of art values.</span></p>
<h3 class="p3"><span class="s1"><b>Globalization</b></span></h3>
<p class="p4"><span class="s1">Art and insurance are both global businesses. However, as it is internationalized, art becomes vulnerable to more interruptions and uncertainty. </span></p>
<p class="p3"><span class="s1">According to the South China Morning Post, the results from a Christie’s auction house’s annual show in 2017 revealed that clients in Asia spent more on non-Asian art and artifacts than Asian pieces. Despite a growing appetite for Western art in China, the trade war and political unrest has taken a toll on consumption. For example, a New York art gallery expanded to Beijing and Hong Kong, but closed due to uncertainty. In the United Kingdom, the world’s second largest art market, Brexit is having a similar impact on the art market. </span></p>
<p class="p4"><span class="s1">The unknown will continue to impact the global art market in the new year, affecting both appetite and prices. Failing to find solutions to these overarching issues will lead to negative impacts on art consumption. After all, the art market, like any other financial market, does not thrive on uncertainty. </span></p>
<p class="p3"><span class="s1">On the positive side of globalization, art is flourishing in the Persian Gulf, Saudi Arabia, and Russia – markets that helped stabilize prices during the last global financial crisis. The value of Arab states in the art market is reinforced by recent expansion like The Louvre and Guggenheim’s new locations in Abu Dhabi. Russia’s hot market, however, may see some softening in 2020 because of sanctions and fluctuations in the petroleum market.</span></p>
<p><img loading="lazy" decoding="async" class="aligncenter wp-image-11467 size-large" src="https://artbusinessnews.com/wpdev/wp-content/uploads/2020/01/Louve_Abu_Dhabi-819x1024.jpg" alt="Louvre Abu Dhabi" width="819" height="1024" srcset="https://artbusinessnews.com/wp-content/uploads/2020/01/Louve_Abu_Dhabi-819x1024.jpg 819w, https://artbusinessnews.com/wp-content/uploads/2020/01/Louve_Abu_Dhabi-240x300.jpg 240w, https://artbusinessnews.com/wp-content/uploads/2020/01/Louve_Abu_Dhabi-768x960.jpg 768w, https://artbusinessnews.com/wp-content/uploads/2020/01/Louve_Abu_Dhabi-740x925.jpg 740w, https://artbusinessnews.com/wp-content/uploads/2020/01/Louve_Abu_Dhabi.jpg 1080w" sizes="auto, (max-width: 819px) 100vw, 819px" /></p>
<h3 class="p3"><span class="s1"><b>Climate Change</b></span></h3>
<p class="p3"><span class="s1">Collectors, galleries and institutions will continue to grapple with climate change exposure. According to the World Meteorological Organization, over 62 million people around the world were impacted by extreme weather in 2018. The uptick in extreme weather events – from hurricanes and wildfires to subzero cold and drought – all factor into how art needs to be handled, transported, displayed and stored. </span></p>
<p class="p3"><span class="s1">There are different exposures to art based on zip codes. In the event of a catastrophic loss, insurers know what the exposure is and how it has been priced. Since 2005, insurance professionals have focused on aggregate issues, or accumulation of exposure, in the wake of Hurricane Katrina and Rita to ensure there is enough reserve to fulfill policyholder’s claims. </span></p>
<p class="p6"><span class="s1">The art world will also continue to struggle with rising water levels. The World Meteorological Organization’s report also claimed that over 35 million people were affected by flooding in 2018. Coastal cities that serve as hubs for the industry, like Miami, Venice, Amsterdam, and New York, are a growing area of concern. Conversations about how to best safeguard the art will continue in the upcoming year – with everything from moving facilities to building new systems to protect priceless works. </span></p>
<p class="p7"><span class="s1">The damage that was caused and the significant losses were, to some degree, a surprise to the insurance industry, which had never seen seasons with that degree of intensity. Areas faced with wildfires, as well as surrounding areas, become more susceptible to flooding while recovering. This increased risk is a result of the dramatic change in terrain and the ground’s diminished ability to absorb water. The Federal Emergency Management Agency</span> <span class="s1">says that areas affected by wildfires are at increased risk for up to five years to face flash flooding and mudflows, even if they were not typically flood-prone areas in the past. </span></p>
<figure id="attachment_11468" aria-describedby="caption-attachment-11468" style="width: 1024px" class="wp-caption aligncenter"><img loading="lazy" decoding="async" class="size-large wp-image-11468" src="https://artbusinessnews.com/wpdev/wp-content/uploads/2020/01/Flooded-Home-1024x683.jpg" alt="Flooding" width="1024" height="683" srcset="https://artbusinessnews.com/wp-content/uploads/2020/01/Flooded-Home-1024x683.jpg 1024w, https://artbusinessnews.com/wp-content/uploads/2020/01/Flooded-Home-300x200.jpg 300w, https://artbusinessnews.com/wp-content/uploads/2020/01/Flooded-Home-768x512.jpg 768w, https://artbusinessnews.com/wp-content/uploads/2020/01/Flooded-Home-1536x1024.jpg 1536w, https://artbusinessnews.com/wp-content/uploads/2020/01/Flooded-Home-1170x780.jpg 1170w, https://artbusinessnews.com/wp-content/uploads/2020/01/Flooded-Home-740x493.jpg 740w, https://artbusinessnews.com/wp-content/uploads/2020/01/Flooded-Home-scaled.jpg 1920w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><figcaption id="caption-attachment-11468" class="wp-caption-text">Trucks are submerged on Pine Cliff Drive as Addicks Reservoir nears capacity due to near constant rain from Tropical Storm Harvey Tuesday, Aug. 29, 2017 in Houston. ( Michael Ciaglo / Houston Chronicle)</figcaption></figure>
<p class="p7"><span class="s1">Wildfires continue to intensify in both scope and frequency. In 2016 and 2017, California was hit by major brushfire losses. According to the<b> </b>National Interagency Fire Center, there were 65,575 wildfires in 2016 and 71,499 wildfires in 2017. In 2016 5.4 million acres were burned, and in 2017 it increased to 10 million acres, which was higher than the 10-year average.</span></p>
<p class="p3"><span class="s1">This is a major concern for the art industry, since fire makes the restoration process of damaged art very difficult, and at times impossible. Fire can completely consume artwork, and smoke and heat damage can lead to significant challenges. All art collectors, especially people in fire-prone areas, need to invest in art insurance or risk losing their pieces for good.</span></p>
<p><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-11466" src="https://artbusinessnews.com/wpdev/wp-content/uploads/2020/01/Wildfire-home-1024x712.jpeg" alt="Wildfire Home" width="1024" height="712" srcset="https://artbusinessnews.com/wp-content/uploads/2020/01/Wildfire-home-1024x712.jpeg 1024w, https://artbusinessnews.com/wp-content/uploads/2020/01/Wildfire-home-300x208.jpeg 300w, https://artbusinessnews.com/wp-content/uploads/2020/01/Wildfire-home-768x534.jpeg 768w, https://artbusinessnews.com/wp-content/uploads/2020/01/Wildfire-home-1536x1067.jpeg 1536w, https://artbusinessnews.com/wp-content/uploads/2020/01/Wildfire-home-2048x1423.jpeg 2048w, https://artbusinessnews.com/wp-content/uploads/2020/01/Wildfire-home-1170x813.jpeg 1170w, https://artbusinessnews.com/wp-content/uploads/2020/01/Wildfire-home-740x514.jpeg 740w, https://artbusinessnews.com/wp-content/uploads/2020/01/Wildfire-home-scaled.jpeg 1920w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /></p>
<h3><span class="s1"><b>Escalation of Art Values </b></span></h3>
<p class="p4"><span class="s1">In 2020 art values will continue their sharp upward trajectory as wealth increases around the world. According to <strong><a href="https://www.artbasel.com/news/art-market-report" target="_blank" rel="noopener noreferrer"><span class="s3">The Art Market 2019</span></a></strong></span><span class="s4">, a report written by founder of Arts Economics,</span><span class="s1"> Dr. Clare McAndrew, the art market was valued at $67.4 billion in 2018, a six percent increase from the year before. </span></p>
<p class="p3"><span class="s1">The spread of wealth around the world has expanded art worldwide, especially in China – now home to the world’s most billionaires, India, and Saudi Arabia; access to disposable incomes to acquire artwork has increased consumption. However, this becomes a matter of supply and demand; there are only so many historic artworks available for purchase. </span></p>
<p class="p3"><span class="s1">Overall, there are many changes on the horizon within the art market in the new decade. Similar to other areas of business, the art world will need to prepare for and adapt to challenges presented by societal, economic, and environmental concerns. Looking ahead, it will be interesting to see how these obstacles are overcome, and how it will impact the way art is bought, sold, and protected. </span></p>
<p class="p8"><span class="s1"><b> </b></span></p>
<p class="p3"><span class="s1"><i>Joe Dunn has served as president &amp; CEO of </i><strong><a href="https://bit.ly/2VulB6d" target="_blank" rel="noopener noreferrer"><span class="s5"><i>Huntington T. Block</i></span></a></strong><i> (HTB) for nearly 15 years.  HTB is the leading specialty fine art insurance brokerage firm in the United States and manages exclusive underwriting facilities for Lloyd&#8217;s of London. Joe has grown the practice by successfully leading the team by providing risk management and insurance solutions to the fine art industry. </i>Sources:<i> </i><strong><a href="https://www.scmp.com/culture/arts-entertainment/article/2131759/asian-collectors-buying-more-western-art-and-setting" target="_blank" rel="noopener noreferrer"><span class="s5">South China Morning Post</span></a></strong></span><span class="s5">,</span><span class="s6"><strong> <a href="https://public.wmo.int/en/media/press-release/state-of-climate-2018-shows-accelerating-climate-change-impacts" target="_blank" rel="noopener noreferrer"><span class="s7">World Meteorological Organization</span></a></strong>, <strong><a href="https://www.fema.gov/flood-after-fire" target="_blank" rel="noopener noreferrer"><span class="s8">Federal Emergency Management Agency</span></a></strong></span><span class="s3">,</span><strong><span class="s9"> <a href="https://www.nifc.gov/fireInfo/nfn.htm" target="_blank" rel="noopener noreferrer"><span class="s10">National Interagency Fire Center</span></a></span></strong><span class="s6">, <strong><a href="https://www.artbasel.com/news/art-market-report" target="_blank" rel="noopener noreferrer"><span class="s8">The Art Market 2019</span></a></strong></span><span class="s9">, </span><span class="s4">and</span><strong><span class="s9"> <a href="http://artseconomics.com/" target="_blank" rel="noopener noreferrer"><span class="s7">Arts Economics</span></a></span><span class="s3">.</span></strong></p>
<p>The post <a href="https://artbusinessnews.com/2020/01/three-key-trends-guiding-the-art-market-in-the-new-year/">Three Key Trends Guiding the Art Market in the New Year</a> appeared first on <a href="https://artbusinessnews.com">Art Business News</a>.</p>
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