Art Santa Fe 

https://redwoodartgroup.com/art-santa-fe/
July 9 – 11, 2026

Santa Fe’s only contemporary art fair brings artists and galleries from across the globe to the show floor of the SF Convention Center for 3 days each July since the year 2000! See the show’s Award Winners, snag FREE VIP tickets to attend exclusive previews and hosted receptions. Collectors are welcome to purchase directly from attendant artists and gallerists during the fair.

IFAM

https://folkartmarket.org/

Santa Fe, New Mexico

July 9-12, 2026

The International Folk Art Market brings the world’s finest folk art to Santa Fe each July. It’s a place where cultures from all corners of the globe are celebrated; where folk artists, often marginalized in their own communities, are elevated. Where the humanity of the handmade isn’t just discussed but is right in front of you as you move from stall to stall at a bustling outdoor event, taking in the shades, symbols, and smiles of nearly 60 countries gathered in one place. More than 150 artists participate, trekking to the United States from 52 different countries — and in four days thousands of visitors attend, purchasing millions in folk art, and more often than not, supplying income that helps sustain entire communities.

SFGA

https://www.santafegalleryassociation.org/

Represents the best galleries museums and art business in 4 distinct districts in Santa Fe, NM. Proud sponsors of Art Week with support from the city’s Tourism office and the collaborative efforts of Art Santa Fe and the International Folk Art Market. Find our signature ART fans and ART maps at locations throughout the city.

Santa Fe Opera
https://www.santafeopera.org/
July 3 – August 29, 2026
The 69th Festival Season features 38 performances of three new productions, a beloved Santa Fe Opera revival, and the remount of an award-winning international production, each in harmony with the company’s time-tested programming model of a balanced and varied repertory of new, lesser-performed and standard works. The Santa Fe Opera annually draws 85,000 people from New Mexico and around the globe. Nestled atop a mountain vista, the company’s iconic Crosby Theatre is open on three sides, allowing visitors to enjoy performances complemented by the elements.

SITE Santa Fe 

https://www.sitesantafe.org/en/

June 6, 2026 – September 5, 2026

Indian Theater: Inspired by both the occupation of Alcatraz by the Indians of All Tribes in 1969 as well as a treatise written at the Institute of American Indian Arts (IAIA) that same year and first published in Santa Fe, New Mexico, this presentation of Indian Theater: Native Performance, Art, and Self-Determination since 1969 marks a kind of ‘homecoming’ for the conceptual basis of the groundbreaking exhibition, which has been previously shown in the Northeastern United States and in Canada.

Georgia O’Keefe Museum

https://www.okeeffemuseum.org/

The Georgia O’Keeffe Museum comprises intentionally curated galleries to guide visitors through the inspiring and bold world of Georgia O’Keeffe. Follow the galleries through O’Keeffe’s early work as a student and teacher, groundbreaking paintings from her time living on the East Coast and her artistic revelations from her time in New Mexico.

Museum of New Mexico Foundation

https://www.museumfoundation.org/

https://www.museumfoundation.org/exhibitions/250-years-of-american-independ…

February 20, 2026 – January 20, 2027

New Mexico History Museum

Happy 250th America, and many more. The Declaration of Independence was signed in 1776, giving birth to the grand experiment we call America. It’s a birthday party and an opportunity to ponder who we are as Americans and Nuevo Mexicanos. It’s also a time to consider how we live our founding principles of freedom, liberty, and justice for all. We’re a work in progress, so make a wish.

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Q: Who are you and what do you do?

Julie: I am a painter working with acrylics and many different kinds of drawing tools, such as graphites, pastels, paint sticks, and water-soluble crayons. I paint medium-large format contemplative abstracts that are heavily layered, exploring disappearing lines and shapes. 

James: I am also a painter working in acrylics, yet I paint expressionist faces and seated figures along with horses, usually with riders present. My work is loose and abstract, with a slightly primitive quality. 

Q: What is your background?

Julie: I was born and raised in Los Angeles, California. I started painting around the age of 5 in after-school classes. I continued through my mid-teens, working in oils and creating still life and landscapes. My work was drippy and messy early on, sort of a hint of what would come much later. My mother took me to many museums growing up and gave me many art books and encouragement until the time came for me to choose a career. My parents convinced me that it was possible financially to be a successful artist and steered me on a practical path. I wound up getting a B.A. in English at UCLA, then I earned my law degree from Loyola Marymount in Los Angeles and was an appellate lawyer for many years writing pages and pages of briefs. The only art I did during this time was in my garage with my two sons who enjoyed painting and other creative projects.

Once the boys were in high school I felt the longing to paint and James showed up at just the right time, giving me the push and encouragement to pick up a brush again. From then on I was hooked and started taking workshops and classes. I was able to continue working as a lawyer part-time on a very flexible basis and still have time to develop myself as an artist. 

James: I was born in Indiana and moved to Scottsdale, Arizona at a very young age. When I was 10 years old my family moved to the Bay Area, settling in Danville, a suburb in the East Bay. I was creative as a child. I loved painting, drawing, and making puppets. My mother provided me with many art books, trips to museums, and allowed me to paint on the back wall of our house. I had a Tom Sawyer-type childhood, roaming freely through the neighborhood. I attended specialized art classes during high school at California College of Arts and Crafts and took various college-level art courses after returning home from Vietnam. I worked in construction for many years but continued to do my art along the way, often painting pieces of sheetrock. I am, for the most part, a self-taught artist. 

I met Julie while working on a remodel project in her home and could tell she was a painter longing to paint. During the project, I brought her a piece of wood, brushes, and acrylic paint and told her to see what she could do. She hasn’t stopped painting since. 

Q: How do you work?

Julie: I am an intuitive painter who works without a plan. At most, I might come up with a palette before I start and layout the necessary ingredients, but that is subject to change along the way. My current body of work is way less colorful and chaotic than it used to be. Right now, I am intrigued by depth and mystery and going with what comes out of my own interior landscape. I alternate many layers of marks with drawing tools and acrylic paint most often mixed with matte medium to create a more transparent feeling. Usually, but not always, I start with a layer of marks to sort of activate the canvas on paper. I don’t paint sitting down, my work is too big for that. Unlike James, I need a little bit of time after going to the studio to get started. I need to make friends with it again, so I usually do something like sweeping the floor, wash the dishes, or go into our loft area and stare at the work we have on our walls to gather inspiration. 

James: I usually get an idea in my head before I get to the studio. I go in and just start without a lot of time, pondering what I am going to do. I just want to get paint on the canvas and push it around. My ideas may change as the painting progresses, but I follow the paint the entire time. I paint on my feet, moving around, never sitting down. My paintings are painted and repainted many times. I like a lot of underpainting and texture, some of which show through in the final version of the piece. For the past year, because of COVID, I have been in a phase of heavy experimentation. 

Q: What art do you most identify with?

Julie: For me, it’s the 50s abstract expressionists, although my work has recently quieted down in color compared to most of those painters. The looseness, freshness, and boldness of that era have a major appeal to me. 

James: For me, it’s German expressionism, starting with the Blau Rider movement because it was gritty, experimental, and appeals to my emotional sensibilities. 

Q: What has been your favorite experience so far as an artist?

Julie & James: For both of us, the best thing has been that we are able to paint side by side with our soul mate in our comfortable art studio. Each of us constantly offers critiques (sometimes not too nicely!) and encouragement along with helpful suggestions. When one of us is stuck, the other helps out. We also both love presenting our work at art fairs and openings in-person and have greatly missed being able to do that this past year. 

Q: Who inspires you?

Julie & James: We inspire each other. Both of us are very self-inspired and self-motivated in general as people. We find inspiration simply by walking into our great studio, having our materials at-hand, and being able to work with them whenever we want. We are both very grateful to be able to do this after many years of juggling work and our careers as artists. We also find inspiration in our various painting heroes. During the past year, we have made it a practice to watch a log of documentaries on Netflix or Amazon about artists’ lives and careers and have found inspiration in those stories as well. 

Q: What is the best advice you have received?

Julie & James: To just show up and do the work. Follow your intuition and not the marketplace. If you paint authentically rather than by what you think will sell, the authentic work will find an audience. 

Q: When you are not working where can we find you?

Julie & James: In non-COVID times, we both like to sit and visit with people in local coffee shops, walk with friends along the trails in Santa Fe, go to the gym, and spend time with family and friends. 

Q: How has your career as an artist shifted during the past year?

Julie: Experimenting and being incredibly productive, more so than before.  I retired from the law in September 2019 and my plan was to offer live workshops and private classes in the studio. We were also going to host our own shows there until we decided what to do about local gallery representation. COVID upended all those plans, which were already in motion. Instead, I very quickly decided that I had to create online workshops since who knew when we would be able to do them in person again. So I went into action and took an online course on how to create an online course. I adapted my in-person curriculum into an online format and James filmed me teaching the courses which were launched last summer.  I also had planned to teach a live abstract painting workshop in our Santa Fe studio this past summer with an artist friend of mine in Atlanta, Cat Tesla, so Cat and I turned that course into an online course. We created a business class for artists, which we launched at the beginning of this year. So for me, the last year was spent figuring out the whole online workshop process and enacting it. My painting was actually secondary to getting the online workshop business going, which has so many moving parts and has been incredibly time-consuming. It’s been a huge education on so many levels and kept me busy constantly. Going forward I am expecting that the online courses may take up less of my time that I can then devote to marketing our work more.

James: Just before COVID hit, our main dealer on Canyon Road retired, much to our shock. For us, this was like a death in the family, and we have both had to deal with this loss, which is far greater than just an economic loss. Both of us had been with that gallery for many years and it was an end to a certain way of life for us. We haven’t yet figured out an alternative. Instead, I  have dedicated myself to experimentation and have greatly increased my productivity since most of my time, due to COVID limitations, has been spent in the studio.

You can learn more about Julie Schumer Abstract Artist and James Koskinas Abstract Artist on their website. And make sure to give Julie and James a follow on social media to stay up to date with their work!

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