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		<title>ART TREKS: De Young Museum—Tamara de Lempicka</title>
		<link>https://artbusinessnews.com/2024/10/art-treks-de-young-museum-tamara-de-lempicka/</link>
					<comments>https://artbusinessnews.com/2024/10/art-treks-de-young-museum-tamara-de-lempicka/#comments</comments>
		
		<dc:creator><![CDATA[Linda Mariano]]></dc:creator>
		<pubDate>Fri, 25 Oct 2024 20:48:43 +0000</pubDate>
				<category><![CDATA[Art Treks]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[Art Deco]]></category>
		<category><![CDATA[Legion of Honor]]></category>
		<category><![CDATA[San Francisco]]></category>
		<category><![CDATA[Tamara de Lempicka]]></category>
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					<description><![CDATA[<p>The post <a href="https://artbusinessnews.com/2024/10/art-treks-de-young-museum-tamara-de-lempicka/">ART TREKS: De Young Museum—Tamara de Lempicka</a> appeared first on <a href="https://artbusinessnews.com">Art Business News</a>.</p>
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			<p><strong><i>Tamara de Lempicka</i>—the first retrospective exhibition in the U.S. dedicated to the artist&#8217;s full oeuvre</strong>—reveals a new perspective on her life and design practice. It&#8217;s easy to see how her paintings, combining a classical figural style with the modern energy of international avant-garde, have cemented Lempicka as one of Art Deco’s defining painters, with an enduring influence on today’s pop culture landscape. Come to San Francisco to see this landmark exhibition!</p>

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			<div class="vc_single_image-wrapper   vc_box_border_grey"><img fetchpriority="high" decoding="async" width="1000" height="667" src="https://artbusinessnews.com/wp-content/uploads/2024/10/Installation-view-of-Tamara-de-Lempicka-de-Young-San-Francisco-2024.-Photograph-by-Gary-Sexton.-Courtesy-of-the-Fine-Arts-Museums-of-San-Francisco.jpg" class="vc_single_image-img attachment-full" alt="" title="Installation view of Tamara de Lempicka, de Young, San Francisco, 2024. Photograph by Gary Sexton. Courtesy of the Fine Arts Museums of San Francisco" srcset="https://artbusinessnews.com/wp-content/uploads/2024/10/Installation-view-of-Tamara-de-Lempicka-de-Young-San-Francisco-2024.-Photograph-by-Gary-Sexton.-Courtesy-of-the-Fine-Arts-Museums-of-San-Francisco.jpg 1000w, https://artbusinessnews.com/wp-content/uploads/2024/10/Installation-view-of-Tamara-de-Lempicka-de-Young-San-Francisco-2024.-Photograph-by-Gary-Sexton.-Courtesy-of-the-Fine-Arts-Museums-of-San-Francisco-300x200.jpg 300w, https://artbusinessnews.com/wp-content/uploads/2024/10/Installation-view-of-Tamara-de-Lempicka-de-Young-San-Francisco-2024.-Photograph-by-Gary-Sexton.-Courtesy-of-the-Fine-Arts-Museums-of-San-Francisco-768x512.jpg 768w, https://artbusinessnews.com/wp-content/uploads/2024/10/Installation-view-of-Tamara-de-Lempicka-de-Young-San-Francisco-2024.-Photograph-by-Gary-Sexton.-Courtesy-of-the-Fine-Arts-Museums-of-San-Francisco-370x247.jpg 370w, https://artbusinessnews.com/wp-content/uploads/2024/10/Installation-view-of-Tamara-de-Lempicka-de-Young-San-Francisco-2024.-Photograph-by-Gary-Sexton.-Courtesy-of-the-Fine-Arts-Museums-of-San-Francisco-760x507.jpg 760w, https://artbusinessnews.com/wp-content/uploads/2024/10/Installation-view-of-Tamara-de-Lempicka-de-Young-San-Francisco-2024.-Photograph-by-Gary-Sexton.-Courtesy-of-the-Fine-Arts-Museums-of-San-Francisco-470x313.jpg 470w" sizes="(max-width: 1000px) 100vw, 1000px" /></div><figcaption class="vc_figure-caption">Installation view of Tamara de Lempicka, de Young, San Francisco, 2024. Photograph by Gary Sexton. Courtesy of the Fine Arts Museums of San Francisco.</figcaption>
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			<h3><b>About Tamara de Lempicka</b></h3>
<p>Born Tamara Rosa Hurwitz (1894-1980) to a Polish family of Jewish descent, she grew up in Saint Petersburg. There she met her first husband, Tadeusz Łempicki, from whom she took the feminine declension Lempicka and altered it to the more noble “de Lempicka.” Following the October Revolution in 1917, they fled to Paris. There she signed her early works under the masculinized name “Łempitzky.” Many believed her to be a man and for a time that suited her goal of being recognized as an important artist. Lempicka created a public image as flawless as the glossy surfaces of her paintings and became the toast of the town. de Lempicka’s style was singular: “Among a hundred paintings, you could always recognize mine,&#8221; she said.</p>
<p>Lempicka and Tadeusz Łempicki divorced in 1929, and in 1934 she married Baron Raoul Kuffner de Dioszegh. They left Europe for the United States just before the start of World War II. The artist, now Baroness Kuffner, became a favorite of Hollywood celebrities—yet her work fell out of favor until the 1970s, when the ever-resilient de Lempicka was rediscovered as a leading figure of Art Deco. Today, she stands out as one of the most receptive, gifted, and technically accomplished painters of her generation.</p>

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			<h3><b>About the exhibition</b></h3>
<p><i>Tamara de Lempicka</i> unfolds chronologically in four major chapters that mark the stages in the artist’s life through her changing identity: <i>Tamara Rosa Hurwitz, Monsieur Łempitzky, Tamara de Lempicka,</i> and <i>Baroness Kuffner.</i> The different sections of the exhibition present the evolution of her artistic style and give the viewer an amazing opportunity to realize the most prevalent themes of her work.</p>

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			<div class="vc_single_image-wrapper   vc_box_border_grey"><img decoding="async" width="1000" height="1385" src="https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_304133_20240329.jpg" class="vc_single_image-img attachment-full" alt="" title="TAMARA DE LEMPICKA, PEINTRE PORTRAITISTE POLONAISE, CHEZ ELLE DEVANT LE PORTRAIT INACHEVE DE SON EPOUX TADEUSZ DE LEMPICKI, 1930" srcset="https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_304133_20240329.jpg 1000w, https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_304133_20240329-217x300.jpg 217w, https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_304133_20240329-739x1024.jpg 739w, https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_304133_20240329-768x1064.jpg 768w, https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_304133_20240329-370x512.jpg 370w, https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_304133_20240329-760x1053.jpg 760w, https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_304133_20240329-470x651.jpg 470w" sizes="(max-width: 1000px) 100vw, 1000px" /></div><figcaption class="vc_figure-caption">Thérèse Bonney (American, 1894 - 1978) “Tamara de Lempicka working on "Portrait of Tadeusz de Łempicki"”, ca. 1929 Gelatin silver print, 9 3/8 x 7 in. (23.8 x 17.8 cm) © The Regents of the University of California, The Bancroft Library, University of California, Berkeley. Source : Ville de Paris / Bibliothèque historique, NN-006-09335</figcaption>
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			<h4><b>Tamara Rosa Hurwitz</b></h4>
<p>Shortly after marrying Tadeusz Łempicki at the age of 22, they left for Paris. Here, Lempicka enrolled at free academies in the artistic community of Montparnasse, where she took classes from André Lhote, a French painter</p>
<p>whose tempered interpretation of Cubism and emphasis on figurative drawing were highly influential to her developing style. Her first works were still lifes and portraits of her friends, as she honed her skills and developed an appreciation for sensual figurative forms.</p>

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			<h4><b>Monsieur Łempitsky</b></h4>
<p>In the early 1920s, when Lempicka first exhibited at the Parisian salons, she signed her works using the masculine version of her surname Łempitzky, purposefully blurring her gender identity. The salons were open to both men and women, but the juries, critics, and buyers who could ensure an artist’s success were predominantly men. During her first solo exhibition in 1925, she presented a gallery of modern aristocracy in her distinctive portraiture style.</p>

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			<div class="vc_single_image-wrapper   vc_box_border_grey"><img loading="lazy" decoding="async" width="1000" height="667" src="https://artbusinessnews.com/wp-content/uploads/2024/10/Installation-view-of-Tamara-de-Lempicka-de-Young-San-Francisco-2024.-Photograph-by-Gary-Sexton.-Courtesy-of-the-Fine-Arts-Museums-of-San-Francisco-1.jpg" class="vc_single_image-img attachment-full" alt="" title="Installation view of Tamara de Lempicka, de Young, San Francisco, 2024. Photograph by Gary Sexton. Courtesy of the Fine Arts Museums of San Francisco." srcset="https://artbusinessnews.com/wp-content/uploads/2024/10/Installation-view-of-Tamara-de-Lempicka-de-Young-San-Francisco-2024.-Photograph-by-Gary-Sexton.-Courtesy-of-the-Fine-Arts-Museums-of-San-Francisco-1.jpg 1000w, https://artbusinessnews.com/wp-content/uploads/2024/10/Installation-view-of-Tamara-de-Lempicka-de-Young-San-Francisco-2024.-Photograph-by-Gary-Sexton.-Courtesy-of-the-Fine-Arts-Museums-of-San-Francisco-1-300x200.jpg 300w, https://artbusinessnews.com/wp-content/uploads/2024/10/Installation-view-of-Tamara-de-Lempicka-de-Young-San-Francisco-2024.-Photograph-by-Gary-Sexton.-Courtesy-of-the-Fine-Arts-Museums-of-San-Francisco-1-768x512.jpg 768w, https://artbusinessnews.com/wp-content/uploads/2024/10/Installation-view-of-Tamara-de-Lempicka-de-Young-San-Francisco-2024.-Photograph-by-Gary-Sexton.-Courtesy-of-the-Fine-Arts-Museums-of-San-Francisco-1-370x247.jpg 370w, https://artbusinessnews.com/wp-content/uploads/2024/10/Installation-view-of-Tamara-de-Lempicka-de-Young-San-Francisco-2024.-Photograph-by-Gary-Sexton.-Courtesy-of-the-Fine-Arts-Museums-of-San-Francisco-1-760x507.jpg 760w, https://artbusinessnews.com/wp-content/uploads/2024/10/Installation-view-of-Tamara-de-Lempicka-de-Young-San-Francisco-2024.-Photograph-by-Gary-Sexton.-Courtesy-of-the-Fine-Arts-Museums-of-San-Francisco-1-470x313.jpg 470w" sizes="auto, (max-width: 1000px) 100vw, 1000px" /></div><figcaption class="vc_figure-caption">Installation view of Tamara de Lempicka, de Young, San Francisco, 2024. Photograph by Gary Sexton. Courtesy of the Fine Arts Museums of San Francisco.</figcaption>
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			<div class="vc_single_image-wrapper   vc_box_border_grey"><img loading="lazy" decoding="async" width="1000" height="1319" src="https://artbusinessnews.com/wp-content/uploads/2024/10/Image-3-2.jpg" class="vc_single_image-img attachment-full" alt="" title="Image 3 (2)" srcset="https://artbusinessnews.com/wp-content/uploads/2024/10/Image-3-2.jpg 1000w, https://artbusinessnews.com/wp-content/uploads/2024/10/Image-3-2-227x300.jpg 227w, https://artbusinessnews.com/wp-content/uploads/2024/10/Image-3-2-776x1024.jpg 776w, https://artbusinessnews.com/wp-content/uploads/2024/10/Image-3-2-768x1013.jpg 768w, https://artbusinessnews.com/wp-content/uploads/2024/10/Image-3-2-370x488.jpg 370w, https://artbusinessnews.com/wp-content/uploads/2024/10/Image-3-2-760x1002.jpg 760w, https://artbusinessnews.com/wp-content/uploads/2024/10/Image-3-2-470x620.jpg 470w" sizes="auto, (max-width: 1000px) 100vw, 1000px" /></div><figcaption class="vc_figure-caption">Tamara de Lempicka (1894-1980) “Young Girl in Green (Young Girl with Gloves),” ca. 1931 Oil on board, 24 1/4 x 17 7/8 in. (61.5 x 45.5 cm) Centre Pompidou, Paris, purchase, 1932, inv. JP557P © 2024 Tamara de Lempicka Estate, LLC / ADAGP, Paris / ARS, NY Digital image © CNAC/MNAM, Dist. RMN-Grand Palais / Art Resource, NY</figcaption>
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			<div class="vc_single_image-wrapper   vc_box_border_grey"><img loading="lazy" decoding="async" width="1000" height="1612" src="https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_302628_20240329.jpg" class="vc_single_image-img attachment-full" alt="" title="Ext_302628_20240329" srcset="https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_302628_20240329.jpg 1000w, https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_302628_20240329-186x300.jpg 186w, https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_302628_20240329-635x1024.jpg 635w, https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_302628_20240329-768x1238.jpg 768w, https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_302628_20240329-953x1536.jpg 953w, https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_302628_20240329-370x596.jpg 370w, https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_302628_20240329-760x1225.jpg 760w, https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_302628_20240329-470x758.jpg 470w" sizes="auto, (max-width: 1000px) 100vw, 1000px" /></div><figcaption class="vc_figure-caption">Tamara de Lempicka (1894 - 1980) “Irene and Her Sister,” 1925 Oil on canvas, 57 1/2 x 35 1/16 in. (146 x 89 cm) Private collection. Courtesy Irena Hochman Fine Art Ltd. NY © 2024 Tamara de Lempicka Estate, LLC / ADAGP, Paris / ARS, NY Image courtesy Irena Hochman Fine Art Ltd. NY</figcaption>
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			<div class="vc_single_image-wrapper   vc_box_border_grey"><img loading="lazy" decoding="async" width="1000" height="795" src="https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_304132_20240409.jpg" class="vc_single_image-img attachment-full" alt="" title="[TAMARA DE LEMPICKA]" srcset="https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_304132_20240409.jpg 1000w, https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_304132_20240409-300x239.jpg 300w, https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_304132_20240409-768x611.jpg 768w, https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_304132_20240409-370x294.jpg 370w, https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_304132_20240409-760x604.jpg 760w, https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_304132_20240409-470x374.jpg 470w" sizes="auto, (max-width: 1000px) 100vw, 1000px" /></div><figcaption class="vc_figure-caption">Tamara Gorska dite Tamara de Lempicka (1898-1980), peintre portraitiste. En train de peindre "Nana de Herrera". Chez elle, 1928. Photographie de ThÈrËse Bonney (1894-1978). BibliothËque historique de la Ville de Paris.</figcaption>
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			<h4><b>Tamara de Lempicka</b></h4>
<p>By 1930, Lempicka had cemented her cool, high-gloss pictorial style. Her female portraits, in particular, reflected the optimism of an era when women began enjoying greater social and economic access and prominence.</p>

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			<h4><b>Baroness Kuffner</b></h4>
<p>In 1939, under the impending threat of Nazi invasion, Lempicka and her second husband, Baron Raoul Kuffner, left Europe for the U.S. Living in Los</p>
<p>Angeles and New York, and ultimately joining her daughter, Kizette, in Houston, she strove for an artistic comeback as Baroness Kuffner. The American press nicknamed her the “baroness with a brush.” Lempicka shifted from glamorous portraits to religious paintings and humble still lifes inspired by the Old Masters. Mixed reviews of her series of solo exhibitions lead her to withdraw from pursuing her painting career.</p>
<p><b>Be sure to see&#8230;</b></p>
<p>Within the galleries of the exhibition, you&#8217;ll find special collections significant to Tamara de Lempicka&#8217;s story, including:<b><br />
</b></p>

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			<div class="vc_single_image-wrapper   vc_box_border_grey"><img loading="lazy" decoding="async" width="1000" height="1456" src="https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_302749_20240329.jpg" class="vc_single_image-img attachment-full" alt="" title="Ext_302749_20240329" srcset="https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_302749_20240329.jpg 1000w, https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_302749_20240329-206x300.jpg 206w, https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_302749_20240329-703x1024.jpg 703w, https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_302749_20240329-768x1118.jpg 768w, https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_302749_20240329-370x539.jpg 370w, https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_302749_20240329-760x1107.jpg 760w, https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_302749_20240329-470x684.jpg 470w" sizes="auto, (max-width: 1000px) 100vw, 1000px" /></div><figcaption class="vc_figure-caption">Tamara de Lempicka (1894 - 1980) “Wisdom (La Sagesse),” 1940-1941 Oil on panel, 33 1/16 x 26 3/8 x 4 1/2 in. (84 x 67 x 11.5 cm) Colección Pérez Simón, Mexico © 2024 Tamara de Lempicka Estate, LLC / ADAGP, Paris / ARS, NY © 2019 Christie’s Images Limited</figcaption>
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			<div class="vc_single_image-wrapper   vc_box_border_grey"><img loading="lazy" decoding="async" width="1000" height="1513" src="https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_302630_20240329.jpg" class="vc_single_image-img attachment-full" alt="" title="Ext_302630_20240329" srcset="https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_302630_20240329.jpg 1000w, https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_302630_20240329-198x300.jpg 198w, https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_302630_20240329-677x1024.jpg 677w, https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_302630_20240329-768x1162.jpg 768w, https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_302630_20240329-370x560.jpg 370w, https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_302630_20240329-760x1150.jpg 760w, https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_302630_20240329-470x711.jpg 470w" sizes="auto, (max-width: 1000px) 100vw, 1000px" /></div><figcaption class="vc_figure-caption">Tamara de Lempicka (1894 - 1980) “Mother Superior,” 1935 Oil on canvas laid down on board 11 13/16 x 7 7/8 in. (30 x 20 cm) Musée d'arts de Nantes, Gift of the artist 1976, 976.7.1.P © 2024 Tamara de Lempicka Estate, LLC / ADAGP, Paris / ARS, NY © Musée d'arts de Nantes - Photograph: Cécile Clos</figcaption>
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			<div class="vc_single_image-wrapper   vc_box_border_grey"><img loading="lazy" decoding="async" width="1000" height="1552" src="https://artbusinessnews.com/wp-content/uploads/2024/10/Tamara-de-Lempicka-1894-1980-Kizette-at-the-Balcony-1927-Oil-on-canvas-51-3-16-x-31-13-16-in.-130-x-80.8-cm-Centre-Pompidou-Paris-Musee-national-dart-moderne-Centre-de-creation-industrielle.jpg" class="vc_single_image-img attachment-full" alt="" title="Tamara de Lempicka (1894 - 1980) “Kizette at the Balcony,” 1927 Oil on canvas, 51 3-16 x 31 13-16 in. (130 x 80.8 cm) Centre Pompidou, Paris Musée national d&#039;art moderne - Centre de création industrielle" srcset="https://artbusinessnews.com/wp-content/uploads/2024/10/Tamara-de-Lempicka-1894-1980-Kizette-at-the-Balcony-1927-Oil-on-canvas-51-3-16-x-31-13-16-in.-130-x-80.8-cm-Centre-Pompidou-Paris-Musee-national-dart-moderne-Centre-de-creation-industrielle.jpg 1000w, https://artbusinessnews.com/wp-content/uploads/2024/10/Tamara-de-Lempicka-1894-1980-Kizette-at-the-Balcony-1927-Oil-on-canvas-51-3-16-x-31-13-16-in.-130-x-80.8-cm-Centre-Pompidou-Paris-Musee-national-dart-moderne-Centre-de-creation-industrielle-193x300.jpg 193w, https://artbusinessnews.com/wp-content/uploads/2024/10/Tamara-de-Lempicka-1894-1980-Kizette-at-the-Balcony-1927-Oil-on-canvas-51-3-16-x-31-13-16-in.-130-x-80.8-cm-Centre-Pompidou-Paris-Musee-national-dart-moderne-Centre-de-creation-industrielle-660x1024.jpg 660w, https://artbusinessnews.com/wp-content/uploads/2024/10/Tamara-de-Lempicka-1894-1980-Kizette-at-the-Balcony-1927-Oil-on-canvas-51-3-16-x-31-13-16-in.-130-x-80.8-cm-Centre-Pompidou-Paris-Musee-national-dart-moderne-Centre-de-creation-industrielle-768x1192.jpg 768w, https://artbusinessnews.com/wp-content/uploads/2024/10/Tamara-de-Lempicka-1894-1980-Kizette-at-the-Balcony-1927-Oil-on-canvas-51-3-16-x-31-13-16-in.-130-x-80.8-cm-Centre-Pompidou-Paris-Musee-national-dart-moderne-Centre-de-creation-industrielle-990x1536.jpg 990w, https://artbusinessnews.com/wp-content/uploads/2024/10/Tamara-de-Lempicka-1894-1980-Kizette-at-the-Balcony-1927-Oil-on-canvas-51-3-16-x-31-13-16-in.-130-x-80.8-cm-Centre-Pompidou-Paris-Musee-national-dart-moderne-Centre-de-creation-industrielle-370x574.jpg 370w, https://artbusinessnews.com/wp-content/uploads/2024/10/Tamara-de-Lempicka-1894-1980-Kizette-at-the-Balcony-1927-Oil-on-canvas-51-3-16-x-31-13-16-in.-130-x-80.8-cm-Centre-Pompidou-Paris-Musee-national-dart-moderne-Centre-de-creation-industrielle-760x1180.jpg 760w, https://artbusinessnews.com/wp-content/uploads/2024/10/Tamara-de-Lempicka-1894-1980-Kizette-at-the-Balcony-1927-Oil-on-canvas-51-3-16-x-31-13-16-in.-130-x-80.8-cm-Centre-Pompidou-Paris-Musee-national-dart-moderne-Centre-de-creation-industrielle-470x729.jpg 470w" sizes="auto, (max-width: 1000px) 100vw, 1000px" /></div><figcaption class="vc_figure-caption">Tamara de Lempicka (1894 - 1980) “Kizette at the Balcony,” 1927 Oil on canvas, 51 3/16 x 31 13/16 in. (130 x 80.8 cm) Centre Pompidou, Paris Musée national d'art moderne / Centre de création industrielle © 2024 Tamara de Lempicka Estate, LLC / ADAGP, Paris / ARS, NY Digital Image © CNAC/MNAM, Dist. RMN-Grand Palais / Art Resource, NY</figcaption>
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			<h4><b>Kizette de Lempicka, A Model Daughter</b></h4>
<p>Marie-Christine “Kizette” de Lempicka was born in Saint Petersburg in 1916, a few months after Tamara married Tadeusz. Lizette served as a model for her mother and garnered Lempicka&#8217;s first critical notice. They had a strained relationship given Lempicka&#8217;s desire for an independent lifestyle. Lizette remained in her mother&#8217;s life and was responsible for caring not only for her mother but also for her mother&#8217;s legacy.</p>

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			<div class="vc_single_image-wrapper   vc_box_border_grey"><img loading="lazy" decoding="async" width="1000" height="1536" src="https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_302694_202329.jpg" class="vc_single_image-img attachment-full" alt="" title="4.0.1" srcset="https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_302694_202329.jpg 1000w, https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_302694_202329-195x300.jpg 195w, https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_302694_202329-667x1024.jpg 667w, https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_302694_202329-768x1180.jpg 768w, https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_302694_202329-370x568.jpg 370w, https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_302694_202329-760x1167.jpg 760w, https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_302694_202329-470x722.jpg 470w" sizes="auto, (max-width: 1000px) 100vw, 1000px" /></div><figcaption class="vc_figure-caption">Tamara de Lempicka (1894 - 1980) “Portrait of Ira P.”, 1930 Oil on panel, 39 3/8 x 25 9/16 in. (100 x 65 cm) Private Collection © 2024 Tamara de Lempicka Estate, LLC / ADAGP, Paris / ARS, NY © 1969 Christie’s Images Limited</figcaption>
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			<h4><b>Ira Perrot: Poet, Muse, Lover</b></h4>
<p>Married to men and open about her bisexuality, Lempicka enjoyed a greater degree of freedom in the period between the World Wars. The poet Ira Perrot is the subject of many of Lempicka&#8217;s paintings, drawings, and poems during this time.</p>

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			<div class="vc_single_image-wrapper   vc_box_border_grey"><img loading="lazy" decoding="async" width="1000" height="698" src="https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_303009_20240329.jpg" class="vc_single_image-img attachment-full" alt="" title="La Belle Rafaëla, 1927. Oil on canvas. 65 x 92 cm. Private collection." srcset="https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_303009_20240329.jpg 1000w, https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_303009_20240329-300x209.jpg 300w, https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_303009_20240329-768x536.jpg 768w, https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_303009_20240329-370x258.jpg 370w, https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_303009_20240329-760x530.jpg 760w, https://artbusinessnews.com/wp-content/uploads/2024/10/Ext_303009_20240329-470x328.jpg 470w" sizes="auto, (max-width: 1000px) 100vw, 1000px" /></div><figcaption class="vc_figure-caption">Tamara de Lempicka (1894 - 1980) “The Beautiful Rafaëla (La belle Rafaëla),” 1927 Oil on canvas, 64.77 x 90.805 cm, Collection of Tim Rice © 2024 Tamara de Lempicka Estate, LLC - ADAGP, Paris - ARS, NY Banque d'Images, ADAGP - Art Resource, NY Image provided courtesy of the Fine Arts Museums of San Francisco</figcaption>
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			<h4><b>Nudes: Tradition and Transgression</b></h4>
<p>Traditionally a male painter&#8217;s domain created for the pleasure of other men, female nudes were a genre where Lempicka could garner recognition from critics and clientele alike. Lempicka&#8217;s nudes exude sexuality in their authentic depiction of women&#8217;s bodies in realistic settings.</p>

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			<h4><b>About the exhibition</b></h4>
<p><b>Where: </b>Legion of Honor (100 34th Ave., San Francisco, CA 94121)</p>
<p><b>When:</b> Now through Feb. 9, 2025</p>
<p><b>Hours:</b> 9:30 am-5:15 pm, Tuesday through Sunday; Closed on Mondays</p>
<p><b>Tickets:</b> $20 for adults, $17 for seniors (65+), $11 for students (w/ valid ID), Free for youth (17 and under) and Legion of Honor members</p>
<p><i>Tamara de </i><i>Lempicka</i> is the first scholarly museum retrospective of the artist’s work in the U.S., exploring Lempicka’s artistic influences and revealing the process behind works that have become synonymous with Art Deco.</p>
<p>After its presentation at the de Young, the exhibition will travel to Houston and be on display at the Museum of Fine Arts, Houston, March 9 through May 26, 2025.</p>
<p><b>PRO TIP:</b> Skip the line and book your tickets <u>online</u> <a href="https://www.famsf.org/visit/de-young-tickets-hours" target="_blank" rel="noopener" data-behavior="truncate">https://www.famsf.org/visit/de-young-tickets-hours</a></p>

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</div><p>The post <a href="https://artbusinessnews.com/2024/10/art-treks-de-young-museum-tamara-de-lempicka/">ART TREKS: De Young Museum—Tamara de Lempicka</a> appeared first on <a href="https://artbusinessnews.com">Art Business News</a>.</p>
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		<title>Period Design Series: All About Art Deco</title>
		<link>https://artbusinessnews.com/2014/02/5728/</link>
					<comments>https://artbusinessnews.com/2014/02/5728/#comments</comments>
		
		<dc:creator><![CDATA[robhibbs]]></dc:creator>
		<pubDate>Thu, 27 Feb 2014 00:23:09 +0000</pubDate>
				<category><![CDATA[Archives]]></category>
		<category><![CDATA[DECOR Magazine]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[Art Deco]]></category>
		<category><![CDATA[Art Deco frames]]></category>
		<category><![CDATA[decor]]></category>
		<category><![CDATA[design]]></category>
		<category><![CDATA[frames]]></category>
		<category><![CDATA[framing]]></category>
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		<category><![CDATA[Michael Pacitti]]></category>
		<category><![CDATA[mouldings]]></category>
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					<description><![CDATA[<p>By Michael Pacitti Period design is a fascinating field of study, and one that can help you do better business. Behind each frame lies a story that’s well worth knowing—and sharing. Did you know that most frames fall into one of thirteen periods of design? Knowing and understanding all the influences behind a frame can really help to hone your&#8230;</p>
<p>The post <a href="https://artbusinessnews.com/2014/02/5728/">Period Design Series: All About Art Deco</a> appeared first on <a href="https://artbusinessnews.com">Art Business News</a>.</p>
]]></description>
										<content:encoded><![CDATA[<figure id="attachment_5738" aria-describedby="caption-attachment-5738" style="width: 212px" class="wp-caption alignleft"><a href="http://decormagazine.com/wp-content/uploads/2014/02/Art-Deco-Image-1.png"><img loading="lazy" decoding="async" class="size-medium wp-image-5738 " src="https://decormagazine.com/wp-content/uploads/2014/02/Art-Deco-Image-1-212x300.png" alt="Art Deco Image 1" width="212" height="300" /></a><figcaption id="caption-attachment-5738" class="wp-caption-text">Art Deco period graphic showing original Art Deco green, red and gold.</figcaption></figure>
<p><em>By Michael Pacitti<br />
</em></p>
<p style="text-align: left;">Period design is a fascinating field of study, and one that can help you do better business. Behind each frame lies a story that’s well worth knowing—and sharing. Did you know that most frames fall into one of thirteen periods of design? Knowing and understanding all the influences behind a frame can really help to hone your skills as a custom framing designer. And this, in turn, will bring you more satisfied customers.</p>
<p>So without further adieu, let’s dive into this issue’s featured period of design!</p>
<p><strong>Art Deco: 1925 &#8211; 1937<br />
</strong><br />
No doubt you’re aware that Art Deco is hot right now! Part of the reason was last year’s movie remake of F. Scott Fitzgerald’s “The Great Gatsby,” with a star-studded cast including Leonardo DiCaprio, Tobey McGuire and Carey Mulligan.</p>
<p>If you saw the film, you’ll recall the rich, opulent ‘20s glamour of the costumes and set. This was a sparkling, smoke-swirled era with glittering sequins, lavish beading, polished hardwoods and elaborate, over-the-top splendor. Box office reviews for the movie may have been mixed, but the fashion trends had already caught on.</p>
<p><iframe loading="lazy" src="//www.youtube.com/embed/vndL5tTTReE?list=PLBA9DBCCBEE1BBD55" width="560" height="315" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p>Pantone announced an Art Deco emerald green for the color of 2013. Hipsters across the country started sporting suspenders and bowties. Rolls Royce announced a new, Art Deco-styled vehicle. Kitchen fixtures began cropping up in shiny, nickel-plated styles. And of course, Art Deco frames grew in popularity.</p>
<figure id="attachment_5745" aria-describedby="caption-attachment-5745" style="width: 221px" class="wp-caption alignright"><a href="http://decormagazine.com/wp-content/uploads/2014/02/1920_s_flapper_by_aida_art-d5uhs35-33.png"><img loading="lazy" decoding="async" class="size-medium wp-image-5745 " src="https://decormagazine.com/wp-content/uploads/2014/02/1920_s_flapper_by_aida_art-d5uhs35-33-221x300.png" alt="1920_s_flapper_by_aida_art-d5uhs35 33" width="221" height="300" /></a><figcaption id="caption-attachment-5745" class="wp-caption-text">Classic Art Deco period flapper fashion.</figcaption></figure>
<p><strong>Hallmarks of Art Deco<br />
</strong><br />
Let’s review the classic hallmarks of Art Deco. Clean lines, geometric shapes and grayed colors are a good place to start. We’re talking dove gray, flat silver, brilliant red, soft lilac and emerald green—this is the basic palette— set against exotic woods such as Makassar ebony, zebrawood, and the refined metals of bronze, brushed steel and nickel.</p>
<p>Art Deco’s visual motifs include geometric shapes, curves, Egyptian zigzags, sunburst,<br />
lightning bolts, airbrushed screened ray bands, motion light, aerodynamic and streamlined forms. Glamorous ornamentation is another hallmarks of the Art Deco period. The more lavish, the better.</p>
<p><strong>Influences and Background<br />
</strong><br />
There’s a lot of interesting history behind the Art Deco movement, and it’s well worth knowing. Let’s dive into it.</p>
<p>Art Deco holds some wonderful paradoxes. On the one hand, it is considered a supremely theatrical, ornate style; yet it is also classical and symmetrical. The movement drew its inspiration from art genres including Cubism, Futurism, Neoclassicism, Modernism, Futurism and the Bauhaus era. Art Deco’s true heyday was from 1925 to 1937, though things started up as early as 1920.</p>
<p>Think of the Roaring Twenties—the Jazz Age, with flappers kicking their sequined heels up at raucous, lavish parties. It was a glamorous time, but it was also an era that embraced technology. This is a key distinguishing factor between Art Deco and the Art Nouveau period, with its organic motifs.</p>
<figure id="attachment_5740" aria-describedby="caption-attachment-5740" style="width: 300px" class="wp-caption alignleft"><a href="http://decormagazine.com/wp-content/uploads/2014/02/Sunbusrt-pattern.jpg"><img loading="lazy" decoding="async" class="size-medium wp-image-5740 " src="https://decormagazine.com/wp-content/uploads/2014/02/Sunbusrt-pattern-300x225.jpg" alt="Sunbusrt pattern" width="300" height="225" /></a><figcaption id="caption-attachment-5740" class="wp-caption-text">Ancient Egyptian influences: the classic sunburst pattern, shown here in white and gold stained glass.</figcaption></figure>
<p>Although many other design movements have political or philosophical roots or intentions such as Art Nouveau, Art Deco was purely decorative. It was bold and brassy and powerful. It took buildings and designed them to look like cruise ships!</p>
<p><strong>Discoveries, Motifs and Ornamentation<br />
</strong><br />
In 1922, archaeologist Howard Carter and his sponsor, Lord Carnarvon, thrilled the<br />
world with their discovery of the tomb of King Tutankhamen. Reporters and tourists<br />
thronged at the site for a glimpse at treasures which had lain nearly undisturbed for over 3,000 years. Soon, a fascination for ancient Egypt found expression in clothing, jewelry,<br />
furniture, graphic design and, of course, architecture. In fact, one of the most popular Art Deco motifs is that of the sunburst pattern, taken from Egyptian hieroglyphs and symbols.</p>
<p><strong>Art and Posters<br />
</strong><br />
Although the term “Art Deco” is rarely applied to painting or sculpture, the style is visible in the streamlined forms of certain 20th century painters from the inter-war period. One of the most famous artists who employed Art Deco themes was painter Tamara de Lempicka (1898-1980). A bold, fiercely independent woman (with a fascinating life story), Lempicka revolutionized the world of female portraits. She embraced the “synthetic cubist” method of painting, using small, geometric planes of strong color to create stunning, empowering portraits of women.</p>
<figure id="attachment_5744" aria-describedby="caption-attachment-5744" style="width: 178px" class="wp-caption alignright"><a href="http://decormagazine.com/wp-content/uploads/2014/02/Art-Deco-Queen-Mary-47.jpg"><img loading="lazy" decoding="async" class="size-medium wp-image-5744 " src="https://decormagazine.com/wp-content/uploads/2014/02/Art-Deco-Queen-Mary-47-178x300.jpg" alt="Art Deco Queen Mary 47" width="178" height="300" /></a><figcaption id="caption-attachment-5744" class="wp-caption-text">The Queen Mary Poster, by Rudy Gardea. On August 30, 1939, the Queen Mary departed on her last peacetime voyage.</figcaption></figure>
<p>Along with the technological advances of the era, the art world saw dramatic evolution in the world of printmaking and lithography. As a result, Art Deco posters became available to many who might not otherwise be able to afford the original artwork. These images endure today.</p>
<p>Lempicka’s prints were (and are) popular, as were images in the “Cassandre Style,” so named after the pseudonym of the famous artist Adolphe Jean-Marie Mouron, who held a one-man show at the Museum of Modern Art in 1936. No doubt you are familiar with Cassandre’s sleek designs of towering ships and speeding trains—the pinnacle of Art Deco graphic design. Pinup posters and advertisements were popular as well.</p>
<p><strong>Fashion<br />
</strong><br />
The fashion-forward clan knew exactly what they wanted after the end of World War I, when technological advances kicked into high gear. It was time to move beyond the hardship and into an era of empowerment for women. Flapper fashion was born. Long-waisted dresses, V-necklines and ostrich feathers celebrated women’s femininity, while bobbed haircuts brought a dash of erotic androgyny into the mix.</p>
<p><a href="http://decormagazine.com/wp-content/uploads/2014/02/Art-Deco-Frame-44.jpg"><img loading="lazy" decoding="async" class="size-medium wp-image-5735 alignleft" src="https://decormagazine.com/wp-content/uploads/2014/02/Art-Deco-Frame-44-300x233.jpg" alt="Art Deco Frame 44" width="300" height="233" /></a><br />
<strong>Picture Frames, Photo Frames &amp; Mouldings<br />
</strong><br />
Now that we’ve explored the history and hallmarks of the Art Deco period, let’s bring the discussion back to framing. Here’s where we start to put it all together in terms of your business and clients.</p>
<p>Art Deco mouldings and frames tend to have clean, smooth finishes. They hold a characteristic of not only symmetry, but also a consistency in finish and color. Whether you’re talking about a painted green frame or one made of highly polished metal, it will have clean-cut lines that will beautifully compliment any art deco art image or photograph. Aluminum, stainless steel, plastics, lacquer and inlaid wood are excellent choices.</p>
<figure id="attachment_5818" aria-describedby="caption-attachment-5818" style="width: 300px" class="wp-caption alignright"><a href="http://decormagazine.com/wp-content/uploads/2014/03/Art-Deco-Framed-Poster-1-cmyk.jpg"><img loading="lazy" decoding="async" class="size-medium wp-image-5818 " src="https://decormagazine.com/wp-content/uploads/2014/03/Art-Deco-Framed-Poster-1-cmyk-300x300.jpg" alt="Art Deco Framed Poster #1-cmyk" width="300" height="300" /></a><figcaption id="caption-attachment-5818" class="wp-caption-text">Art Deco poster by Tamara de Lempicka, framed in black.</figcaption></figure>
<p>Have a client who wants to frame a poster of the Chrysler Building or a classic Tamara de Lempicka print? Get a slick, polished frame and set it off beautifully. Loft owners and condo dwellers—especially those with high ceilings—are looking for Art Deco stylings whether they know it or not!</p>
<p>Framing Art Deco posters requires a moulding that is clean, flat and symmetrical in pattern and ornament. Try pairing the image or subject matter that you are designing with frames that have geometric or stylized patterns from representational forms (remember the Egyptian sun we discussed above?). Bear in mind: Art Deco often incorporates a repetitive pattern throughout the image. Choose mouldings that are cool, elegant and sophisticated. You are looking for symmetry, clean lines and geometric patterns.</p>
<figure id="attachment_5734" aria-describedby="caption-attachment-5734" style="width: 300px" class="wp-caption alignleft"><a href="http://decormagazine.com/wp-content/uploads/2014/02/Art-Deco-Chair-10.jpg"><img loading="lazy" decoding="async" class="size-full wp-image-5734 " src="https://decormagazine.com/wp-content/uploads/2014/02/Art-Deco-Chair-10.jpg" alt="Art Deco Chair 10" width="300" height="253" /></a><figcaption id="caption-attachment-5734" class="wp-caption-text">This bold, bulky, fabric-covered Art Deco chair resembles the back of an automobile.</figcaption></figure>
<p><strong>Furniture and Decor<br />
</strong><br />
In the wake of the Gatsby style resurgence we’re seeing, interior decorators and designers are incorporating Art Deco themes into their decor these days as well. The original Art Deco furniture was an amalgam of many different styles and movements of the early 20th century—including Neoclassical, Constructivism, Cubism, Modernism, Art Nouveau, and Futurism—and that’s what we’re seeing again today.</p>
<p>Art Deco decor is characterized by the use of materials such as aluminum, stainless steel, leather, lacquer, inlaid wood and exotic materials such as ivory, shark skin and zebra skin. Functional elegance is the key. Other elements include: high-gloss finishes, glass<br />
and metal combinations, geometric shapes and bold patterns (think animal prints). Keep these in mind when working with an Art Deco artwork and/or frame.<br />
Inspiration and Resources</p>
<p>If you want help your clients to create a space in which their apartment, home or loft looks and feels as though they have a roommate named Gatsby, the following websites<br />
are good places to start.</p>
<p><strong>Houzz.com</strong><br />
Houzz.com has literally thousands of pictures of Art Deco interior designs. From poster<br />
art and shower curtains to bed frames and wall-mounted mirrors, Houzz.com gives you<br />
an idea of all the many ways that you can build an Art Deco vibe in your home.</p>
<p><strong>Interiordesignipedia.com</strong><br />
One of my favorite sites for custom framing design ideas related to Art Deco is interiordesignipedia.com</p>
<p><strong>Lighting Advice</strong><br />
Layered lighting schemes are important to consider when exploring Art Deco decor. Sconces and torchères beam light up or down to cast a flattering, sultry glow. Art deco fixtures were futuristic for their era, yet polished. Check out <a href=" http://youtu.be/u-hWcu4dNH4">this video</a> on adding LED effects to a room.</p>
<p><strong>Art Deco Color Schemes</strong><br />
Here’s a great site for working with art deco schemes: http://www.decopix.com/Art_Deco_Color_Schemes/</p>
<p><em>Michael Pacitti, IDEC, CPF, has worked in the interior design, art, photography and custom framing design industry for more than 25 years. He has been associated with the Color Marketing Group since 1990 and the Color Association of the United States (C.A.U.S), through which he has taught seminars on color and design to interior designers throughout North America, Europe, Australia and China for 25 years. He has also written numerous articles on color and design and is a professional certified educator with IDEC Interior Design Educators Council.</em></p>
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<p>The post <a href="https://artbusinessnews.com/2014/02/5728/">Period Design Series: All About Art Deco</a> appeared first on <a href="https://artbusinessnews.com">Art Business News</a>.</p>
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