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	Comments on: How to Work with Galleries	</title>
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		<title>
		By: Kamla Ravikumar		</title>
		<link>https://artbusinessnews.com/2013/03/working-with-galleries/#comment-895</link>

		<dc:creator><![CDATA[Kamla Ravikumar]]></dc:creator>
		<pubDate>Tue, 12 Nov 2013 02:54:43 +0000</pubDate>
		<guid isPermaLink="false">http://development.artbusinessnews.com/?p=6998#comment-895</guid>

					<description><![CDATA[Most galleries like to work with established and known artists to be safe.How does an upcoming artist break through this glass wall created by galleries?Either I have to be terrific in my work for them to want me or I have to go gallery hopping to show them my works.What are the other options?]]></description>
			<content:encoded><![CDATA[<p>Most galleries like to work with established and known artists to be safe.How does an upcoming artist break through this glass wall created by galleries?Either I have to be terrific in my work for them to want me or I have to go gallery hopping to show them my works.What are the other options?</p>
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		<title>
		By: artist kodankandath antony francis		</title>
		<link>https://artbusinessnews.com/2013/03/working-with-galleries/#comment-855</link>

		<dc:creator><![CDATA[artist kodankandath antony francis]]></dc:creator>
		<pubDate>Tue, 16 Jul 2013 11:14:12 +0000</pubDate>
		<guid isPermaLink="false">http://development.artbusinessnews.com/?p=6998#comment-855</guid>

					<description><![CDATA[Lot of helpful tips for an upcoming and serious artist.Thank you very much.]]></description>
			<content:encoded><![CDATA[<p>Lot of helpful tips for an upcoming and serious artist.Thank you very much.</p>
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		<title>
		By: Sean Taylor		</title>
		<link>https://artbusinessnews.com/2013/03/working-with-galleries/#comment-839</link>

		<dc:creator><![CDATA[Sean Taylor]]></dc:creator>
		<pubDate>Fri, 24 May 2013 20:02:27 +0000</pubDate>
		<guid isPermaLink="false">http://development.artbusinessnews.com/?p=6998#comment-839</guid>

					<description><![CDATA[Galleries and publishers alike prefer digital portfolios or a link to an artist&#039;s website be submitted rather than organic materials that may be lost in the busy shuffle of a gallery or office environment. Artist&#039;s should be aware that many well intentioned submissions are lacking the saleability factor a gallery may be looking for. It could be a matter of the gallery&#039;s customer preferences or just not a time for taking on new art, which is an expensive undertaking for any gallery doing it right. As a gallery director I would review at least 3 artists portfolios each day which would total to hundreds over the course of a year. From that figure I (and the gallery staff, as is my practice) may choose 3 or 4 new artists for representation. Personally I respond to each submission with an email or call but an artist shouldn&#039;t feel insulted if rejected. Keep producing and never rely on making a living with your art until one day you realize that you already are.]]></description>
			<content:encoded><![CDATA[<p>Galleries and publishers alike prefer digital portfolios or a link to an artist&#8217;s website be submitted rather than organic materials that may be lost in the busy shuffle of a gallery or office environment. Artist&#8217;s should be aware that many well intentioned submissions are lacking the saleability factor a gallery may be looking for. It could be a matter of the gallery&#8217;s customer preferences or just not a time for taking on new art, which is an expensive undertaking for any gallery doing it right. As a gallery director I would review at least 3 artists portfolios each day which would total to hundreds over the course of a year. From that figure I (and the gallery staff, as is my practice) may choose 3 or 4 new artists for representation. Personally I respond to each submission with an email or call but an artist shouldn&#8217;t feel insulted if rejected. Keep producing and never rely on making a living with your art until one day you realize that you already are.</p>
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		<title>
		By: Susan Quin Byrd		</title>
		<link>https://artbusinessnews.com/2013/03/working-with-galleries/#comment-838</link>

		<dc:creator><![CDATA[Susan Quin Byrd]]></dc:creator>
		<pubDate>Thu, 16 May 2013 15:53:33 +0000</pubDate>
		<guid isPermaLink="false">http://development.artbusinessnews.com/?p=6998#comment-838</guid>

					<description><![CDATA[As a photographic artist, I hope someone in the gallery business or other fine art photographer who have successfully been through this will read and respond to comments  regarding &quot;How To Work With Galleries&quot;. There are many really talented emerging professional photographers who could benefit from responses.  My situation and questions are written in my former discussion here. SusanQByrd@aol.com
SusanQuinPhotoArt.com]]></description>
			<content:encoded><![CDATA[<p>As a photographic artist, I hope someone in the gallery business or other fine art photographer who have successfully been through this will read and respond to comments  regarding &#8220;How To Work With Galleries&#8221;. There are many really talented emerging professional photographers who could benefit from responses.  My situation and questions are written in my former discussion here. <a href="mailto:SusanQByrd@aol.com">SusanQByrd@aol.com</a><br />
SusanQuinPhotoArt.com</p>
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		<title>
		By: Susan Quin Byrd		</title>
		<link>https://artbusinessnews.com/2013/03/working-with-galleries/#comment-837</link>

		<dc:creator><![CDATA[Susan Quin Byrd]]></dc:creator>
		<pubDate>Sun, 12 May 2013 14:18:02 +0000</pubDate>
		<guid isPermaLink="false">http://development.artbusinessnews.com/?p=6998#comment-837</guid>

					<description><![CDATA[The gallery owners responses to questions about &quot;How To Work With Galleries&quot; was helpful, but as an award winning fine art photographic artist, I would like more detailed information about how to find and approach successful galleries to represent the art of photography. There are many who still do not represent successful photographers. For instance, I am best known for my digital post processing of images into creative or painterly fine art photos with drama, action, emotion and more so that my work is different from other photo artists and well received.  I have been doing my do diligence: becoming more known, continuing to educate myself, creating a large body of work, selling it at fine art street shows, Western Museum exhibitions and at the annual 10 week Arizona Fine Art Expo. I am entering photo competitions and winning, been published in National Geographic and Cowboys &#038; Indians Magazines among others and My work is in a few galleries. I also teach my image redefining and post processing techniques to photo students and my tutorials are published in a quarterly photography eMagazine.  My passion is photography.  I have the eye and am good at it and must make my living with it.  I am in the process of updating my website and want to make photo books. So now I need to make some changes and it is time to  pursue high end well known galleries that will accept photographic art.  So I and some of really good photographer friends and students and I want to know the best methods to find and 
approach the right galleries to represent excellent photographic art.  What do you suggest?]]></description>
			<content:encoded><![CDATA[<p>The gallery owners responses to questions about &#8220;How To Work With Galleries&#8221; was helpful, but as an award winning fine art photographic artist, I would like more detailed information about how to find and approach successful galleries to represent the art of photography. There are many who still do not represent successful photographers. For instance, I am best known for my digital post processing of images into creative or painterly fine art photos with drama, action, emotion and more so that my work is different from other photo artists and well received.  I have been doing my do diligence: becoming more known, continuing to educate myself, creating a large body of work, selling it at fine art street shows, Western Museum exhibitions and at the annual 10 week Arizona Fine Art Expo. I am entering photo competitions and winning, been published in National Geographic and Cowboys &amp; Indians Magazines among others and My work is in a few galleries. I also teach my image redefining and post processing techniques to photo students and my tutorials are published in a quarterly photography eMagazine.  My passion is photography.  I have the eye and am good at it and must make my living with it.  I am in the process of updating my website and want to make photo books. So now I need to make some changes and it is time to  pursue high end well known galleries that will accept photographic art.  So I and some of really good photographer friends and students and I want to know the best methods to find and<br />
approach the right galleries to represent excellent photographic art.  What do you suggest?</p>
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		<title>
		By: Richard Bello		</title>
		<link>https://artbusinessnews.com/2013/03/working-with-galleries/#comment-836</link>

		<dc:creator><![CDATA[Richard Bello]]></dc:creator>
		<pubDate>Wed, 08 May 2013 20:39:43 +0000</pubDate>
		<guid isPermaLink="false">http://development.artbusinessnews.com/?p=6998#comment-836</guid>

					<description><![CDATA[Seeking a serious gallery to rep my works preferably invest in me I have 75 available pieces all life size and four free standing. Here are some samples
https://Bello.see.me
http://about.me/RichardBello
www.facebook.com/richard.belloart
www.facebook.com/Belloart.com

                    Thankyou !]]></description>
			<content:encoded><![CDATA[<p>Seeking a serious gallery to rep my works preferably invest in me I have 75 available pieces all life size and four free standing. Here are some samples<br />
<a href="https://Bello.see.me" rel="nofollow ugc">https://Bello.see.me</a><br />
<a href="http://about.me/RichardBello" rel="nofollow ugc">http://about.me/RichardBello</a><br />
<a href="http://www.facebook.com/richard.belloart" rel="nofollow ugc">http://www.facebook.com/richard.belloart</a><br />
<a href="http://www.facebook.com/Belloart.com" rel="nofollow ugc">http://www.facebook.com/Belloart.com</a></p>
<p>                    Thankyou !</p>
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		<item>
		<title>
		By: Johnny Taylor		</title>
		<link>https://artbusinessnews.com/2013/03/working-with-galleries/#comment-170</link>

		<dc:creator><![CDATA[Johnny Taylor]]></dc:creator>
		<pubDate>Thu, 21 Mar 2013 04:48:11 +0000</pubDate>
		<guid isPermaLink="false">http://development.artbusinessnews.com/?p=6998#comment-170</guid>

					<description><![CDATA[Thank you taking the time to share your insights. I have a few questions and thoughts about artists&#039; submissions.

I&#039;m an artist fortunate enough to have representation at a handful of galleries that work hard to sell my work. All of those relationships arose out of their finding me, rather than my submitting through a website. Still, I create 70-100 pieces a year and would like to reach a wider market in other cities so I send out a lot of submissions (maybe 50-100 per year). Most of these submissions are through a gallery&#039;s website. Its quite rare that I receive any sort of acknowledgement at all. This has been the experience of many of the artists I spoken with about the practice, too. Even a simple &quot;thanks, but no thanks&quot; would go a long way toward establishing goodwill among the artists who submit.

Most galleries have online forms and a disclaimer stating that they can&#039;t contact everyone, but if they like you they&#039;ll be in touch. Do gallerists actually look at these submissions? If a gallery ignores submissions wouldn&#039;t it be simpler for all involved to state that they&#039;re not currently accepting submissions?

Maybe I&#039;m just cranky, or have an outmoded idea of basic decorum, but its frustrating to follow a gallery&#039;s stated submission procedures only to be ignored.]]></description>
			<content:encoded><![CDATA[<p>Thank you taking the time to share your insights. I have a few questions and thoughts about artists&#8217; submissions.</p>
<p>I&#8217;m an artist fortunate enough to have representation at a handful of galleries that work hard to sell my work. All of those relationships arose out of their finding me, rather than my submitting through a website. Still, I create 70-100 pieces a year and would like to reach a wider market in other cities so I send out a lot of submissions (maybe 50-100 per year). Most of these submissions are through a gallery&#8217;s website. Its quite rare that I receive any sort of acknowledgement at all. This has been the experience of many of the artists I spoken with about the practice, too. Even a simple &#8220;thanks, but no thanks&#8221; would go a long way toward establishing goodwill among the artists who submit.</p>
<p>Most galleries have online forms and a disclaimer stating that they can&#8217;t contact everyone, but if they like you they&#8217;ll be in touch. Do gallerists actually look at these submissions? If a gallery ignores submissions wouldn&#8217;t it be simpler for all involved to state that they&#8217;re not currently accepting submissions?</p>
<p>Maybe I&#8217;m just cranky, or have an outmoded idea of basic decorum, but its frustrating to follow a gallery&#8217;s stated submission procedures only to be ignored.</p>
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