<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	
	>
<channel>
	<title>
	Comments on: Art vs. Commerce: The Artist’s Eternal Conflict	</title>
	<atom:link href="https://artbusinessnews.com/2013/03/art-vs-commerce-the-artists-eternal-conflict/feed/" rel="self" type="application/rss+xml" />
	<link>https://artbusinessnews.com/2013/03/art-vs-commerce-the-artists-eternal-conflict/</link>
	<description>The art industry&#039;s news leader since 1977</description>
	<lastBuildDate>Thu, 07 Nov 2019 22:30:53 +0000</lastBuildDate>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	
	<item>
		<title>
		By: Orson Welles		</title>
		<link>https://artbusinessnews.com/2013/03/art-vs-commerce-the-artists-eternal-conflict/#comment-880</link>

		<dc:creator><![CDATA[Orson Welles]]></dc:creator>
		<pubDate>Fri, 27 Sep 2013 12:24:27 +0000</pubDate>
		<guid isPermaLink="false">http://development.artbusinessnews.com/?p=6955#comment-880</guid>

					<description><![CDATA[You need to hold seminars on how to brand art. The money is better. Remember, children: if you can fake sincerity, then you have it made.]]></description>
			<content:encoded><![CDATA[<p>You need to hold seminars on how to brand art. The money is better. Remember, children: if you can fake sincerity, then you have it made.</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Pierre Richr		</title>
		<link>https://artbusinessnews.com/2013/03/art-vs-commerce-the-artists-eternal-conflict/#comment-874</link>

		<dc:creator><![CDATA[Pierre Richr]]></dc:creator>
		<pubDate>Mon, 16 Sep 2013 03:06:24 +0000</pubDate>
		<guid isPermaLink="false">http://development.artbusinessnews.com/?p=6955#comment-874</guid>

					<description><![CDATA[Well put. An identifiable look seems to be that branding ellement that is the thread of recognition. The signature that only comes with prolific attempts at ones art. Also the focused intention at understanding and developing the visual language thats being crafted. 
     Very helpfull to hear your article. as a sculptor i&#039;ve struggled with that tipping point of branding being selling out or killing the unpredictabillity of true art. I can now see how that identifiable mark is essential for success but needs to remain edgy.Thank you.]]></description>
			<content:encoded><![CDATA[<p>Well put. An identifiable look seems to be that branding ellement that is the thread of recognition. The signature that only comes with prolific attempts at ones art. Also the focused intention at understanding and developing the visual language thats being crafted.<br />
     Very helpfull to hear your article. as a sculptor i&#8217;ve struggled with that tipping point of branding being selling out or killing the unpredictabillity of true art. I can now see how that identifiable mark is essential for success but needs to remain edgy.Thank you.</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: deb		</title>
		<link>https://artbusinessnews.com/2013/03/art-vs-commerce-the-artists-eternal-conflict/#comment-849</link>

		<dc:creator><![CDATA[deb]]></dc:creator>
		<pubDate>Sun, 07 Jul 2013 11:28:31 +0000</pubDate>
		<guid isPermaLink="false">http://development.artbusinessnews.com/?p=6955#comment-849</guid>

					<description><![CDATA[Loved the writting. Very cool Shakespeare....    
I too brand by using an illustrative element. It took me years to understand that this is branding, just as you make clear in the article. Thank you.]]></description>
			<content:encoded><![CDATA[<p>Loved the writting. Very cool Shakespeare&#8230;.<br />
I too brand by using an illustrative element. It took me years to understand that this is branding, just as you make clear in the article. Thank you.</p>
]]></content:encoded>
		
			</item>
	</channel>
</rss>
